Revisionist History by Sue S. Rated: PG13 Submitted: June, 2006 A few notes before we start: I was a history major and I almost always find it irritating when someone plays fast and loose with historical events. That said, I beg your indulgence while I freely and willfully alter or completely make up people and events to suit the story. This is a work of fiction, not a recitation of history; it just happens to bear a striking resemblance to some actual people, places and events. Actually, it contains a reference to a real historical figure but I didn't take many liberties with him. Revising history is the least of my sins since I'm also using fictional characters that don't belong to me. I've also borrowed liberally from 'Foundling'. Try to take comfort in the fact that I'm not making any money from this story. This story is for my favorite history major, Sara. She's also my beta and I can't begin to express how grateful I am for her input. Thanks for reassuring me in all my insecurities and for pointing out my mistakes. Most of all, thank you for your sense of humour (see, I spelled it right just for you - and the Iron Lady ). You rock my world! I must also express my appreciation to DJ who beta'd the PG version of this story for me. She suffered through computer problems with me and persevered beautifully with some of the fastest turnarounds on a beta I've ever seen. Thanks DJ! The PG version of this story wouldn't exist without the kind assistance given to me by Vicki. She helped me rework the story so that the important plot points weren't lost. Text bracketed inside < > is a memory. <><><> "This had better be worth it, Clark. Otherwise, believe me, I will get even with you." From anyone else those words would be an idle threat. Out of the mouth of Lois Lane they are enough to make even Superman tread lightly. Normally I would just let her rant, but I'm feeling especially reckless today. She's been not so subtly complaining since we left Metropolis this morning. Bad weather, flight delays and switching to the small single-engine plane that brought us to this decrepit little airfield have not improved her mood. "It was your decision to come, Lois. Not mine." "It wasn't my decision, it was Perry's. And it's your stupid story." "It's not a stupid story. Doesn't it make you angry to know that artifacts that belong in a museum are being stolen and sold on the black market?" Lois stands up and walks away, apparently as tired of this argument as I am. Just as I think that maybe I'm going to have a small respite she turns around and comes back towards me. "So where is this guy? Your friend, what's his name?" "Joshua Grey. And I don't know where he is, maybe he got held up." "Maybe he's not coming." "Then we'll be sitting here for a long time, won't we?" I give her my sunniest smile. She turns around, her heels clacking impatiently against the well-worn linoleum floor as she stalks away from me. She stops in front of the vending machine and puts her hands on her hips as she assesses the fact that nothing new has appeared inside since she last checked maybe, oh, three minutes earlier. "... Big fat stupid story about what... pottery shards? I mean, who cares? Besides Clark? Who really cares?" She's muttering under her breath, completely unaware that I can hear her just fine. I sigh and look at my watch. We've been sitting here for over half an hour and there's still no sign of Josh. When I spoke with him last night he had repeated our flight information back to me twice, just to make certain there were no mix-ups. It's puzzling that he's not here, but I'm not ready to give up on him just yet. Besides, I get a certain amount of enjoyment from watching Lois stew. Nobody frets better and - especially on her worst days - she can make me laugh. On the inside anyway. I know better than to laugh out loud at her right now. She continues to mutter about the dearth of Double Fudge Crunch bars in the machine and to cast abuse at me in general. I tilt my head towards the road outside and listen. There's a distant engine noise but it's too far away to tell if their destination is the airfield. Lois moves further away from me, her steps more slow and deliberate as she paces. I can tell she's thinking and I wonder how long it's going to take her to bring up just why Perry insisted that she come along on this story. I called Perry two nights ago to tell him about Josh and the theft of several valuable artifacts from his small university-sponsored archaeological dig. When I told him I was going to come out and join the dig, Perry asked me if I'd consider bringing Lois along. I was hoping he'd suggest the idea first. Think of it as plausible deniability. It's been nearly a week since Lois received an anonymous series of photographs - all of her in unguarded moments like walking to work, sitting at her desk, and wandering through her apartment wearing only a towel. There was no note or explanation left with the pictures - a silence that I still find unnerving. We haven't been able to discover who took them, who sent them, or why. Perry thinks it's Lex Luthor, who reappeared recently in her life before skulking back into the shadows. I think Luthor's smarter than that but I'm at a loss to know who's behind it. I've flown past her apartment several times a night since then but I've never seen anyone or anything suspicious. Lois has shrugged it off with her usual bravado but it doesn't fool either Perry or myself. She agreed to come along on this story easily enough and I know she's only being grouchy because it's preferable to admitting that she's scared. One thing you should know about Lois - what you see on the surface is often miles away from what's actually happening inside that amazing mind of hers. I've gleaned this knowledge from observation and from being in the right place when the veneer cracks and her grip loosens on the facade she tries to keep so tightly in place. When we first started working together I was well on my way to considering her a world-class bitch. That was until Dr. Baines tied us up and tried to kill us. Lois surprised me by breaking down and confessing that she'd broken all the "rules" she'd spat out at me the day before. In a moment of clarity I realized that there were two Lois Lane's. She may be tough and cynical on the outside but it's only to hide her soft candy center. I love both sides of her, just not equally. I enjoy the verbal sparring with the bitchy one. She keeps me on my toes and, like I said earlier, I find her amusing since I know that it's all an act. It's the other Lois, the one I only see occasionally, that I love to distraction. That Lois brings out every protective and tender feeling I have, stretching those emotions until they're almost exquisite pain. Sometimes though, on days like today, I'm left to wonder what it really is about her that draws me in. Those glimpses of her soul are becoming more frequent but they're still rare. So what is it that intrigues me? Is it her intelligence? Her body? The challenge? Some bizarre and exhilarating combination of all of the above? "Hello! Earth to Clark?" "What?" I glance up and she's standing next to me, her eyebrows knit together in suspicion. "Sorry. I was just... thinking." "Hmph." She doesn't look like she actually believes me - she thinks I was ignoring her on purpose. "I asked if you'd switch seats with me." "Why?" "The one you're on looks softer." I look at the chair next to me. It's exactly the same. I don't know what her game is and I toy with the idea of telling her "no" just to push her buttons. I decide it's not worth the risk, especially since I don't know how long we'll be stuck here. I get up and move to the other seat muttering under my breath, "There's nothing wrong with that chair." "What?" Lois asks suspiciously. "I said, 'Sure, take this chair'." She frowns, but she can't prove what I did or didn't say. She murmurs something resembling a thank you as she sits down. I listen for the engine noise. It seems now to be headed in our direction. Lois begins to fidget, picking at the cracked plastic of the arm between our chairs. I know she's working up to something, but I can't decide if she wants another favor or she's just readying herself for another round of griping. "Clark?" Oh, here it comes. "Yes?" "Why do you think Perry sent us both? I mean, honestly, isn't this something you could do on your own?" I know she only wants me to answer the first question but I don't feel like getting into it right now so I content myself with saying, "I don't know." She gives up picking at the arm of the chair to examine her cuticles closely. "Do you want to know what I think?" The engine noise is definitely coming closer so I decide to gamble on the fact that Josh will be here in a few more minutes. "I'm sure you're about to tell me." Her head swivels to look at me. "What's that supposed to mean?" "Lois, you've never had an *unexpressed* thought." She narrows her eyes at me. "I'm having one right now." Caught off guard, I grin at her. "Back at you." "Never mind," she huffs and stands up to stomp back over to the vending machine. Now that her back is turned I allow myself a quiet chuckle and shake my head. I stand up, too, going over to the large window and tipping my glasses down to focus on the approaching truck. It's not Josh behind the wheel. The driver is a female in her late teens or early twenties. She has blond hair, pulled back in a ponytail and she's scowling at the windshield in an expression reminiscent of Lois' current mood. It looks like it might be a long ride to the dig site. "Is that your friend?" Lois joins me in looking out the window at the truck as it speeds towards the airfield. "I guess so." I surreptitiously push my glasses back up. Whoever she is, she's not close enough yet that I'd be able to tell she isn't Josh. "Well, finally!" Lois turns from the window, brushing against my elbow as she moves past me. As always, it sends a little shiver of delight through me. I wonder sometimes if she does it on purpose, just to mess with my head. Then again, that would presuppose that she comprehends just how much I desire her. She knows I'm attracted to her. She just has no idea how deep and complete the attraction is. Given the way she freaked out after our first date it's a very good thing she doesn't realize the intensity of my feelings for her. I move to grab Lois' suitcase before she does. "Here, let me." She gives me another suspicious look while she tries to decide if I'm being chivalrous or condescending. Then she shrugs. "Fine. Thanks." I follow her the length of the small terminal and she holds the door open for me. We walk out just as the truck slides to a stop on the gravel a few feet away from us. "Are you Clark and Lois?" the girl asks through the open window of the truck. "Yes," I answer hesitantly. Lois gives me a questioning look, like I might know why Josh is suddenly a surly young woman. "What happened to Josh?" I ask. "Oh, some paper pusher from the government showed up this morning and he and Dr. Hanover had to go back to the school with the guy. There's some big to-do over the stuff that got stolen last weekend. You couldn't have picked a worse week to volunteer on this project." "We're only here because Josh said you guys were short-staffed..." It's partially the truth. Josh did say they were short-staffed. "That's an understatement. Have you been on a dig before?" "Once," I answer, "but it was years ago." "What about you?" she jerks her head at Lois. "I've never had the pleasure, no." The girl gives Lois a nasty smile. I get the feeling they've both sized each other up and found the other severely wanting. "It's an acquired taste. Lots of tedium, very little reward." "My favorite." Lois flashes her a saccharine smile. It's going to be a *very* long ride. <><><> As we drive to the dig site we learn that our driver's name is Emily McKay. She's twenty years old, an archaeology major and an even more aggressive driver than Lois. Emily had wanted to spend her summer excavating the ancient city of Tiwanaku on the border between Bolivia and Peru. That she's stuck in Ohio sifting through artifacts that only date back to the mid-1800's is a huge disappointment to her. "It's all politics, you know," Emily says as she accelerates into a left turn that sends Lois sliding against me. "I'd be in Bolivia right now if I was willing to compromise my standards." You'd think that the truck's cab, with its wide bench seat, would be enough to accommodate two small females and me. But Emily's driving has turned it into a contest to see how well Lois and I can brace against smashing into each other. Lois, for her part, seems to look on this as some kind of thrill ride. She's smiling as she gets thrown hard against me. I wish it were because she enjoyed the contact but I suspect that it's actually Emily's misery that's making her so happy. That, and the fact that she would rather die before letting anyone think she was scared. Ironically, I seem to be the only person in the truck the least bit intimidated. This latest turn has put us on an unpaved road. As we bounce along the ruts I try not to watch Lois' breasts jostle. I fix my attention on the road ahead of us but I can still see them bounce in my peripheral vision. "Do you get a lot of volunteers out here?" I ask, trying to redirect both Emily's thoughts and my own. "We've had a couple of anthropology classes come in for a day. And you always get the wannabes." She glances over at Lois as she says this. I will never understand women and how they can make such snap judgments about each other. Lois opens her mouth as if she means to reply. "How many people are on the team right now?" I ask before Lois can formulate anything to say. "Josh, me, Doc and Marty. We had a couple of locals helping out a few weeks ago but this is really just the Doc's little vanity project. He's obsessed, I tell you." "Obsessed with what?" Lois asks. "Lucas Peregrine. He died around 1915 and left his property to Doc's grandfather. But grandpa wasn't able to pay taxes on it during the Great Depression and lost it in foreclosure. The state bought the land but their plans to turn it into a historical site never happened. You've heard of Morgan's Raid, right?" "July 1863; it was the northernmost penetration of the Confederacy during the Civil War," I answer. Lois rolls her eyes and mutters, "Know-it-all." "Right." Emily, at least, seems slightly impressed. "Brigadier General John Hunt Morgan, against orders, made a feint into Ohio to distract the Union Army into a chase. He came right through this area and it created a huge panic. Lucas figures heavily into the stories about the Raid in this neck of the woods. Apparently he practically took on an entire company of soldiers single-handedly. A couple of local families hid their valuables on his property for safe-keeping but they couldn't remember later where they buried them." "Is that what Doc is doing? Looking for the family silver?" Lois asks. "I guess," Emily shrugs. The truck rolls onto a narrow old bridge and I brace myself for disaster as I realize that the road makes a sharp right angle turn at the other end. As we negotiate the turn I manage to keep from hitting Lois. She grabs my arm to stop from sliding into Emily. Clear of the bridge, Emily stomps on the accelerator and we speed up a hill. As we come over the top of the hill we barrel through a tree-lined driveway. I can see a large old house built of stone with a wrap-around porch at the end of the driveway. "Here it is," Emily says as we come up rather fast on the house. She hits the brakes hard. Lois and I both reach forward to brace against the dashboard. "Welcome to paradise." <><><> A man appears on the porch of the house. He's in his mid to late thirties with unkempt reddish-brown hair and a goatee. He raises his hand in greeting as we approach. "How's it going?" he asks. Emily ignores him, stalking past him and into the house. The screen door slams behind her, bouncing a couple of times in its frame before settling back into place. "Is she always that cheerful?" Lois mutters. "No, sometimes she's a little moody." The man grins at us and I get the impression he derives just as much pleasure from irritating Emily as I do from provoking Lois. "I'm Marty, by the way. Marty Evans." He shakes each of our hands as we tell him our names. "Is this your house?" Lois asks. "No, this is Doc's house. Dr. Hanover, that is. It's been in his family for years. The dig site is about fifty yards behind us. Come on in, I'll show you your rooms. Maybe before dinner we can take you over to the dig site and give you a quick tour." Just inside the front door there is a small foyer. Directly in front of the door is a steep flight of stairs to the next floor. There are two archways on either side of the stairs. Marty gestures to the one on the left and says, "That's the kitchen. This room over here," he indicates the doorway on the right, "is the sitting room, but mostly we just keep field specimens in there. Doc's room is at the back of the house through there." He motions at the kitchen and then picks up Lois' suitcase, starting up the stairs with it. "There are four rooms up here," Marty says after we've come to the top of the stairs. "The bathroom is straight ahead. We'll put you in here, Lois." He pushes open the first bedroom door on the right and then points to the next door down. "Clark, you can take that one." I open the door and grimace. I don't particularly care about the room but I'm quite certain that this is just going to be more fuel for Lois' slow burn. The room is small. There's only enough space for a twin-size bed and a desk. There's a shelf on the wall above the desk. The head of the bed is beneath an open window but the room still feels stuffy. I set my suitcase down and come back into the hallway. Marty gestures at the two doors across the hall saying, "Emily, Josh." Emily's room is opposite mine while Lois is opposite Josh. Lois reappears in the doorway of her room. "Does the window open?" she asks Marty. "Yeah, sure. Sometimes it just gets stuck. You know, from the humidity. The wood swells up." "I know about humidity," Lois glares. "But the window will only open about an inch before it gets stuck." "Can you help her out?" Marty asks me. "I gotta get started on dinner. Which reminds me, I need to know who to put on the schedule for dinner tomorrow." "Schedule?" Lois sounds incredulous. "We only get dinner if we're on the schedule?" "No, everyone eats. It's just we take turns cooking, you know? One of you will be cooking tomorrow night. You two can decide who's going first." "I'm going to have to cook? Can't we just order a pizza or something?" "No one delivers this far out in the country. But you can get a frozen pizza in town and cook it. Can't you?" The last two words are dripping with sarcasm. Just like that, Lois is now on Marty's list of people to annoy. I suppress a smile. Give her time, Marty. She grows on you. Marty heads back down the stairs and I go in Lois' room to see about the window. Her room is as small and austere as mine. I push the window closed and then lift it open all the way, with maybe just a little more coercion than Lois could have used. "How's that?" I turn around and give her a smile. Lois smiles back. "Great. Thanks." I actually think she means it, there's not a trace of sarcasm in either her words or her smile. There's a small silence and then Lois takes a step closer to me, reaching out to brush some non-existent lint from my shoulder. "You know what I've always liked about you, Clark?" "What?" I wish this was about something other than her not wanting to cook, but I can tell where her flattery is headed. "Your cooking. You're a very good cook." "Lois, I've never actually cooked for you." "Well, here's your chance. I bet you could really impress me, if you tried." "I'll take tomorrow night. But I'm not cooking when it's your turn." She starts to frown so I lean down to tell her in conspiratorial tone, "I bet you could really impress me, if you tried." She steps away from me and takes hold of the door handle as she hints that I'm welcome to leave now. "*If* I wanted to impress you, I wouldn't have to cook to do it. In fact, I find it rather sexist that you assume I'd have to cook to impress you." I move past her into the hallway. "I'm not being sexist. You're the one who said I could cook to impress you." "Well, guess what? I'm not the slightest bit interested in impressing you. Especially if it involves cooking." She shuts the door. I'm turning to go back to my room when she flings the door open again. Her eyes are wide with alarm as she holds out a sheet of paper to me. "This was taped to the back of my door." "What is it?" I take the paper from her and my blood runs cold. The image printed on the paper was taken this morning outside of Lois' apartment building. It's a picture of both of us getting in the cab to head for the airport. "Who could have followed us?" Lois asks. I shake my head. I have no idea who took the picture. I have no idea how they knew we were coming here, let alone exactly where to find us. I can feel a tic working in my jaw as I try to come to terms with the fact that she's no safer here than she was in Metropolis. Lois takes the picture back, her hand shaking just a little as she looks at it. "Tell me again, how well do you know Josh?" she asks. "It's not Josh." "Really? How do you know? I mean, you always think you know someone, but how can you be certain?" "I'm certain it's not Josh." She looks at me skeptically. "Whose idea was it for us to come out here?" "Mine. It was my idea. When Josh called he wasn't asking me to come out here. I volunteered to come. And you weren't part of the equation when I told him I was coming." "We're a team, right? Isn't that what it says on all those billboards? And on that by-line that we share? If you're on a story, so am I." Her hands have stopped shaking, which is good. She's decided to be angry instead of unnerved. "Lois, they don't have Daily Planet billboards out here. You were never mentioned until last night when I called Josh to let him know what time to come pick us up at the airport." "How do you know that Josh didn't tell everyone else here that there were going to be two more for dinner tonight?" "I'm sure he did, but how would they have had to have time to find someone in Metropolis to follow us and send this picture back to them?" "It's a print-out, Clark. Somebody e-mailed them the picture. Maybe they called a private detective and had them follow us and send it?" "So it's just a coincidence that somebody else took pictures of you last week and left them on your desk?" "I don't know. What if I'm not the only one being stalked?" "You're saying we each have a stalker?" "Why not? At least mine is still in Metropolis." "Are you kidding me?" "Hey, I'm not the only one in this picture." She holds it up, pointing at me holding the door of the cab open for her. "That's a pretty big leap to take." "Okay then, how well do you know Marty or Emily?" "I don't. I only just met them, the same as you." "Then let's take this downstairs and see what their reactions are." Lois waves the picture over her shoulder as she heads towards the stairs. Marty is just closing the oven door as we walk into the kitchen. "Did you get that window fixed?" he asks. Lois skips the niceties. "Did you put this on my door?" "What?" Marty looks bewildered. "Did I what?" "Put this," Lois holds the picture up inches from his face, "on the back of my door?" Marty takes the picture from her, his expression still confused He shakes his head. "I don't understand..." He looks up at both of us and then back to the picture. "Why would I put this on the back of your door?" "You tell me." Lois takes the picture away. "Is there a computer in this house?" "Yeah." Marty gestures in the direction of the sitting room. "In there. But it's not connected to the Internet or anything." Lois turns, bumping into me as she hurries towards the next room. I step backwards to let her pass and give Marty an apologetic smile. He shrugs and shakes his head. "She's not usually like this," I lie. "For your sake, I hope not." He winks and turns back to the oven, adjusting the temperature dial. I leave to follow Lois into the next room. The sitting room runs the length of the house. Three long folding tables sit end-to-end, covered in small cardboard boxes and index cards. Five-gallon buckets are stacked along the interior wall; some of them appear to be filled with dirt. There's a desk at the far end of the room with a computer on top of it. Emily sits at the computer, her back to us, entering data from a stack of index cards into the machine. Lois is ahead of me, although Emily ignores her right up until Lois holds the picture over the computer's monitor. "Did you put this on the back of my door?" Emily flips to the next card. "Nope," she says without looking. "Are you sure? Why don't you at least take a look before you answer?" Emily sighs and looks at the paper, then at Lois. "It's not mine." Her words are slow and distinct. They stare at each other for a few seconds and then Emily clears her throat. "Do you mind? I'd like to finish this before dinner. I had to go pick people up at the airport so that's put me behind today." Lois grudgingly withdraws the picture. Emily shakes her head and goes back to typing with a sigh. Lois turns to me and gives me a disapproving look. What does she want me to do? Beat a confession out of someone? "Hey, you two," Marty says from behind me. "Did you still want to take a look at the dig site? We have some time before dinner - I can take you down there." Lois folds up the picture and puts it in her pocket. She sends one last disgruntled glance in Emily's direction and then we both follow Marty through the kitchen and onto the back porch of the house. The back yard is choked with knee-high grass. There's an old shed to one side of the yard. A two-foot wide dirt path starts at the base of the porch stairs and then disappears in the trees about fifty feet away. Marty starts down the path, gesturing for us to follow him. We reach the trees and cross a small wooden bridge over a rushing creek. The path continues on through the trees. "We're on state land now," Marty tells us. "Everything on this side of the creek is land that once belonged to Lucas Peregrine." We come into a hillside meadow that slopes down to a large lake. Halfway down the hill is an old cabin sagging at a gravity-defying angle. A canvas tent stands about twenty feet away. "Doc wants to do some excavation inside the house, but we needed more muscle first. Maybe now that you're here we can shore it up and explore the inside," Marty says as we approach the house. We stop when we reach the house. The trail continues past the house and down the hill to a pier jutting into the lake. It seems to be much sturdier than the house. "This is it, the old Peregrine homestead. And that's Lucas Lake, named after old Luke. Doc's father built the pier for fishing." The grass around the house has been trampled into submission. Marty leads us around the corner of the house to an open trench, about ten feet in length and six feet wide. The trench slopes into the hill; the deepest end is about four feet below the surface. The tent is set up near the shallow end of the trench. "That's my tent, and the dig headquarters." "You sleep out here?" Lois asks. "We need someone to keep an eye on things, plus I like camping better than being shut up in the house." "Keep an eye on things? Where were you when the silver was stolen?" "Right here," Marty grins at her obvious question. "But the artifacts were in the house." "Let me guess, the doors weren't locked." "No, they weren't. We're all the way out here in the country, why would we lock the door?" Lois rolls her eyes and shrugs. I touch her arm to caution her against insulting Marty any further. "I take it you haven't had problems with items going missing before?" I ask. "No, although we hadn't really found anything that valuable before." "Who do you think took it?" I ask. "Don't know." Marty turns to look out over the lake. "There's a YMCA camp on the far side of the lake. It's possible it was kids from the camp just playing a prank." "You don't really believe that, do you?" Lois asks. "No," Marty shakes his head. "I think it was someone from town. Everyone there knows that we're excavating the cabin. There was one family who threatened to sue from the very beginning if we found the silver. They claim that it rightfully belongs to them. And they're probably right. Maybe they just decided to skip all the legal red tape and take it home." "I assume that this family was checked after the silver disappeared?" I put in. "Yep. The sheriff went over with a warrant and looked through their house but didn't find a thing. Truthfully, they seemed more upset that the silver was missing than the fact that they were suspects. I can't decide if they're being cagey or genuine." Marty looks at his watch. "I ought to get back. You two can look around here for a few minutes if you want. Just don't touch anything and don't go in the trench or inside the cabin." He waves at us and starts back up the trail. "What do you think?" I ask as soon as Marty disappears into the trees. Lois sighs. "I think it wouldn't take a genius to steal anything from these people. They don't even lock the door at night. They might as well have left a huge sign saying 'free stuff!' on the porch." "It had to be someone who knew what they had found. We should look at the locals who were helping out and at that family who claims ownership." "What if it was one of the people here?" Lois speculates. "That's a possibility, too." "I bet it was Emily," she says with a faint hint of glee. "What makes you think that?" "Gut instinct." I laugh. "Are you sure that's what it is?" "Don't flatter yourself, Kent." She flounces back up the trail towards the house. I watch her stalk away and grin. I am flattered. She wouldn't be this prickly unless she was jealous. Lois has great instincts, except when it comes to the obvious. Like me, for example. Or Lex Luthor. Emily, on the other hand, kinda deserves what's coming to her. I shouldn't take sides, I know, but she was rude to Lois first. As we re-enter the kitchen a tall, dark-skinned man is setting the table. "Josh!" I say, happy to see that the years have treated him kindly. He doesn't look much different than when we played college football together. We shake hands and slap shoulders. "Lois, this is Joshua Grey." Josh looks at Lois and I see his eyebrows twitch in amusement. "So this is Lois?" I close my eyes, knowing that Josh is about to embarrass me. "I..." "It's nice to meet you," Lois says as she shakes his hand. "No, it's nice to meet you. I've heard a lot about you." "Really? Like what?" Lois looks over at me. I shake my head and look away. "I think it was something along the lines of 'beautiful' and 'headstrong'." "Headstrong?" Leave it to Lois to ignore the compliment in favor of the not-so-complimentary. "You told him I was headstrong? Is that what you think of me?" "Actually, I think he said 'independent', I was just reading between the lines." Josh isn't correcting so much as stirring the pot. "Nice try," Lois says. Then she smiles. "Did he really say beautiful?" Josh opens his mouth to answer but I'm saved because an older man with white hair and a neatly trimmed beard enters the room along with Marty. "This is Dr. Hanover. We all just call him 'Doc'. I assume you've already met Marty." Josh introduces us. Lois and I both shake hands with Doc and he gestures for us to sit at the table. As we're sitting down Emily shows up and sits in the chair across from me. Marty pulls dinner from the oven as Josh and Doc take their seats at opposite ends of the table. Marty sets a casserole dish on the table and sits in the remaining chair next to Emily. "So did Marty tell you his specialty?" Josh asks as he passes a bag of store-bought rolls to Lois. She looks over at Marty and shakes her head. "Anthropology is my specialty. Re-enactment is my hobby," Marty corrects. "Whatever," Josh says with a grin. "You know what I'm asking." "I'm quite certain he hasn't shown them the freak show," Emily chimes in. "Go on, Marty. Show them how hardcore you really are." Lois and I both look at Marty. He shakes his head. "It's not a freak show, I'll have you know. It's a talent, and I'm in high demand for my talent." "Okay, I'll bite," Lois says. "What's your talent?" "I'm a Civil War re-enactor," Marty explains. "I started about ten years ago and just got addicted. About five years ago I found out that I had a specific talent. You've seen the Civil War pictures taken by Matthew Brady?" Lois and I both nod. "Well, there are some re-enactors who specialize in recreating those pictures. I'm a bloater." "A bloater?" Lois repeats. "Yeah, I can bloat just like a corpse." There's a moment of silence and then Lois laughs. "You can bloat like a corpse?" "Show them," Emily eggs Marty on. He pushes back his chair and then lies down on the floor. As we watch in stunned astonishment his cheeks puff out and his belly distends. His eyes turn glassy and appear sightless. His hands and limbs go stiff. He looks like he's been dead for hours under a hot sun. Lois glances over at me with a smile. "There's your story," she tells me, "or at least the human interest angle is covered." Marty grins and de-bloats. "Everyone has a talent," he says as he sits back down. "You're a freak," Emily says with a smile. There is a trace of affection in the way she says it. I bet her earlier inhospitality really was due to the fact that they are understaffed and she drew the short straw to come pick us up at the airport. Doc grimaces and reaches for the salt. "This is what happens when you only get a shoestring operating budget." "Yes," Emily agrees with him. "As you can see, they spared every expense in setting us up here." Doc sends her a reproving look and shakes his head. "After today we're just lucky we'll be allowed to continue tomorrow." "Was it that bad, really?" Marty asks. Josh nods. "It was that bad. The state and the federal governments are arguing with each other over who has jurisdiction." "But isn't that state-owned land?" I ask, confused as to why the federal government would even be involved. "That's what everyone is arguing about. Doc's father owed back taxes to both the state and the federal government when he lost the land. Since we're a middle party with no declared loyalty they've agreed to let us continue digging, so long as we submit to random unannounced visits from a regulator." "It wasn't until we found something big that anyone showed the least bit of interest," Emily puts in bitterly. "It's not even what we were looking for," Josh agrees. "What are you looking for?" I ask. There's a small silence as Marty, Josh and Emily look at Doc. Finally, Josh speaks. "We're looking for Lucas Peregrine. Doc's grandfather said he was buried on the property, near the corner of the house where our trench is." "Why would you want to disturb his grave?" Lois looks just as baffled as I feel. "Tell them your theory," Marty winks at Lois. "Doc has a theory about Lucas Peregrine." Emily and Josh both look vaguely embarrassed. Doc pushes the food around on his plate and then sets his silverware down. "I'm sure they've told you that my grandfather was born and raised in this house. His father, my great-grandfather, built it in 1858 with the help of his neighbor, Lucas Peregrine. My grandpa spent most of his boyhood down at Lucas' house. When I was child he told me countless stories about this area and about Lucas himself. Those stories were part of the reason I chose archaeology as my life's work. But there was one story he only told me once, just before he died. At the time I thought maybe he was just turning senile. And then Superman showed up and it made me wonder if there really was some truth to the story." "Superman?" Lois asks, echoing my thoughts exactly. "Yes, you see, my grandfather swore that he saw Lucas Peregrine fly." "Lucas Peregrine could fly?" There are little spots in my vision and I'm glad I'm all ready sitting down. Is it possible? Could someone else from Krypton have been here before me? Lois' eyes gleam at the realization that she might have an entirely new angle in her quest for the ultimate Superman story. "Fly?" she asks, motioning with her hand like she's about to zoom up from the table. "How high off the ground was he?" Doc blinks, looking surprised that we're both so accepting of his theory. "My grandfather said he rose from the lake and flew to the front door of the cabin." Lois nods. "That's pretty definitive. I mean, it couldn't have been a trick of the light or anything like that. What else do you know about Lucas? Did he have a family? Where did he say he came from?" "Lucas said he had a family, but that they were far away. On the census his birthplace is listed as Kentucky. I've looked through the censuses for Kentucky in the years before he showed up here but I don't see him listed. Then again, some of those records are incomplete or have been lost over the years." "Kentucky? Or 'KY'?" Lois wonders aloud. "All places of birth are listed as initials," Doc answers. "So maybe he said 'Kentucky' but actually meant the 'KY' to be an abbreviation for Krypton?" Lois speculates. Doc smiles and nods his approval. "The census also lists both his parent's places of birth as 'KY'." "What about his family?" I ask. "He said he had a wife and a son. To my knowledge he never even told anyone their names. My grandfather had the impression that they were still alive, but living somewhere else." "But they never lived here with him?" I press, eager for any scrap of information. "No, he always lived alone. I've never found any Peregrines in the Kentucky censuses either." "When did he show up in this area?" Lois asks. "Around 1857. Both he and my great-grandfather settled in this area around the same time. Like I said, he helped my great-grandfather build this house in 1858." "How old was he when he came here?" I ask. "I would guess he was in his mid-forties at the time. I have pictures of him; would you like to see them?" "Yes!" we say in unison, both of us pushing back from the table, all thoughts of dinner forgotten. Doc smiles and beckons for us to follow him into the sitting room. He hunts among the boxes stacked next to the desk at the far end before producing an old leather-bound album. He turns the first few pages of the album and then lays it open in front of us. "That's him. That's Lucas Peregrine. This picture was taken around 1865." The sepia-toned photograph shows a man with dark wavy hair, a little long in the fashion of the times. His eyes are pale and look almost haunted as he gazes at something just to the right of the camera. His mouth is thinned in a frown that makes it look as though he had never learned how to smile. He has a solid build, the kind that comes from years of hard work. A thick dark beard covers only his chin. His sideburns and cheeks are clean-shaven. Lucas Lake is in the background; it doesn't appear to have changed much in the intervening years. "He doesn't really look like Superman, does he?" Lois comments. I shake my head, a deep disappointment settling across me. I don't know what I was hoping for, but she's right. He looks nothing like me - or Jor-El. Still, the thought that this man may have beat me to Earth from Krypton by a hundred years is something I never expected. I wish it wasn't growing dark outside; I want to search out his history even more than Doc does. "Didn't he ever smile?" Lois asks. Doc nods. "Of course he did. My grandfather said he had a wonderful sense of humor. People just didn't smile for pictures in those days." He takes the album back and turns a few more pages. "There," he points. "There he is again." This time the picture is of a small group in front of Doc's house. Lucas is standing on the top step, his shoulder leaning against the pillar of the porch. A young boy stands on the railing next to him, his arm thrown across Lucas' shoulder. Both Lucas and the boy are out of focus, their faces a little blurred but obviously smiling. Their figures definitely stand out against the rest of the people in the picture; everyone else is staring sourly at the camera. "The boy is my grandfather. Just as the picture was taken his older brother dropped his pants and mooned them. Only Lucas and my grandfather laughed." "Do you have any other pictures of him?" I ask. "A few, but he's much older in them. They were taken in 1915, a couple of months before he died. I'll see if I can find them tonight and show them to you tomorrow." "How did he die?" Lois asks. "Old age, I guess. He had to be at least in his nineties when he went. My grandfather said he was sharp as a tack right up to the end." "What is it you hope to find in his grave?" I ask, even though I feel more than a little morbidly curious to see his skeleton myself. "If we can find him, I'd like to send a sample of his bones to a lab and see if they're any different. Maybe, if he is like Superman, his bones will be denser or something. I just want... proof, I guess. Marty says I'm dabbling in revisionist history here and that I'm going to be a joke amongst my colleagues." "Why would you be a joke? If you find proof, I mean," Lois says. "History changes all the time." "Ah, that's true, my dear. But changing commonly held ideas about the past isn't easy. It's painstaking, especially if you're going to be legitimate about it. Most people would prefer to keep alive the glossed-over fairy tale they learned in school. It gets messy when you look at it from the other side." "History is written by the victors," I add. "And usually the victors have something to hide. There are people who use this process of rewriting history to suit their own agendas. It's a slippery slope." Doc spreads his hands in a gesture of futility. "But this isn't going to alter anybody's world view!" Lois exclaims. Speak for yourself, Lois, I think. It would forever alter my world view. Don't get me wrong - I have my parents. And I have Lois, Jimmy, Perry and other friends like Josh. But there's always been an empty space inside me. A nagging sense that I'm it. There will never be anyone else who can understand on a primal level what it's like to be me. Even if we're separated by a century, I feel a tug of camaraderie for this man. Curiosity, sorrow, and compassion have all combined into a sort of longing so intense it's rapidly becoming an ache. Who was he really? What was he doing here? "I doubt it would change the world," Doc says. "But I still want to know." I turn back to the first picture. What was he looking at when this was taken? His eyes are at odds with his stern expression. He looks so sad. Was he thinking of his home? His family? I feel my throat beginning to close off with emotion. I excuse myself and stand up, leaving the room as quickly as I can without arousing Lois' suspicions. I head outside, to the front porch, where the second picture was taken. I lean against the same pillar Lucas did, craving the connection with him. I hear the screen door open and then close. Lois comes up quietly beside me and leans against the rail, her elbows resting on the spot where Doc's grandfather stood for the picture. "Clark? Is something wrong?" she asks softly. "Just... wondering if Doc is right about Lucas." "I don't know. That would really be something, wouldn't it?" "Are you glad you came now?" She lets out a small laugh and nudges me with her shoulder. "Like you have to ask!" "But I am asking." My longing for a connection with Lucas is somewhat assuaged by my connection with Lois. I'm so glad she's here, even if I can't think how to tell her why that is. "Okay," she allows. "I'm glad I came." "Even if it means having to hang out with a bunch of freaks?" "You said Josh was your friend," she chides in a light tone. "He is, but the rest of them seem just a little off-center, don't they?" I still feel hollow inside but the banter with Lois helps to fill the emptiness. Actually, just being around her seems to fill that loneliness inside me. Is that the attraction? It sounds so cliched to say, but I don't know how else to explain it. She laughs at my assessment. "I don't know who's worse, Emily or Marty." "What's wrong with Emily?" I tease. "She's okay, if you like that type." "What type is that?" "Blonde. Nail-biter. Vindictive." "Careful, Lois, I might start thinking you're jealous." "Jealous? You wish! Since when are you the ideal male?" "You have no idea." "Don't I?" She raises her eyebrow and smirks at me. Oh, the answers I could give to that. "No, I don't think you do." Her eyes take on a flirtatious twinkle. "Suppose you tell me." "Nah." I shake my head. "You're a prize-winning journalist, I'm sure you'll figure it out." God help me if she ever remembers this conversation when she finally pieces together who Superman is. It's not that I don't think about telling her, I'm just afraid of her reaction after I do. I can't decide between dropping a hint so large she can't help but realize the truth or just straight-up telling her. "So... do you like her?" "Not in the same way that I like you." "Oh," she says. Her mouth curves into a small, pleased smile. There's something about her smile and my own inner turmoil that makes me long for the time when my life was simpler. "It's hot, Lois. Let's go for a swim." "A swim? Where?" "In the lake." "But... I didn't pack a swimsuit." "So?" "So I'm not about to go skinny-dipping with you!" I think about teasing her that Emily would, but decide against it. "Who said anything about skinny-dipping? We'll just strip down to our underwear. C'mon, Lois, it's going to be too dark to see anything anyway." Too dark for her. I'll just have to not look. She bites her lower lip while she considers. "It is hot..." she allows. I give her an encouraging smile and she shakes her head with a laugh. "Okay, fine. But you have to swear to me that you won't look." "Only if you promise not to look, too." Her eyes sweep across my shoulders and she smiles. "Let's go before I change my mind." We go through the house to the back porch. There are a couple of flashlights sitting on a table outside the back door. Lois grabs one and goes first, lighting the way for us both as we follow the trail to the fishing pier. The pier juts out about fifteen feet into the lake at a point where the shore slopes steeply. There are rails along the side since the drop to the water below is at least six feet. I pull off my shoes and socks, tucking my glasses into one of my shoes. The moon is only three-quarters full. Its light is dim but not that faint, if she looks hard enough. Part of me wonders if I'm doing this just so she can see me without glasses while my hair is slicked back. It would feel so good to unburden myself to her tonight. All I need is the right opening and I can confess everything. You think I look like Superman? Well, funnily enough... Lois appears to hesitate just for a moment and then she takes her shoes off. I pull off my jeans and t-shirt and fold them, stacking them on top of my shoes before tucking the bundle just under the boards of the pier. I walk to the end and climb over the railing. I glance back in time to see Lois tugging her shirt over her head. I grin and jump into the water. The water is cool but not cold. It's the perfect antidote to the humidity still heavy in the evening air. Treading water, I look up to see Lois peering over the railing above me. "Come on in, the water's fine!" "Are there any rocks?" "Nope." "How deep is it?" "I'm not touching the bottom here." She only hesitates for a moment. Then she climbs over the railing and leaps with a squeal. After a couple of seconds she surfaces and laughs with delight. We swim back to shore, scrambling up the steep bank and across the pier to jump in again. I'm wading back into shallower water when she launches herself at me from behind, pulling me off balance. I let myself fall back in the water, taking her with me. She swims away when I splash at her in retaliation. I start back again for the shore; it's not until I'm about to jump in again that I realize I don't hear her swimming anymore. "Lois?" I can hear her breathing, so I know she hasn't gone under. "Over here," she calls out in a lazy voice. "Can you see me?" I scan the water and pick her out easily. She's floating on her back about thirty feet off-shore. Her eyes are fixed on the starry sky and wide with wonder. I dive in and swim out to join her. I roll over, tipping my head back in the water and look up at the stars. Even though I'm used to a clear night sky I'm still in awe at the sight. "Look at them all," Lois says, her voice full of amazement. "I never realized there were so many stars. Does it look like this in Kansas?" "Yes," I answer. She sighs. "I don't think I've ever envied you more." I don't answer her; just smile to myself. Her hand brushes my shoulder setting off a pleasant flutter in my stomach. "Do you think Lucas Peregrine is related to Superman?" "I don't know," I say slowly. How should I reveal this to her? "Superman said he came here as a baby. Lucas was here a hundred years earlier. I don't see how they could be related." "Oh," Lois says quietly. "Was he really from Krypton or was Grandpa just senile?" I don't answer, overwhelmed by questions of my own. Is it really possible that I'm not the first one from Krypton to come here? How did he get here? Where was the family Lucas said he had - here or on Krypton? What happened to them? If there are descendants of Lucas here, do they have powers? Or were his progeny killed when Krypton exploded? "It would be nice, wouldn't it, if Superman had someone?" Lois asks, her voice distant and thoughtful. I should tell her that he *does* have someone. Or, he's trying, at any rate. "He has you," I say hesitantly. Lois moves so that she's treading water instead of floating. "Well, sure, he has you too." "That's not what I meant." I join her in treading water. I can feel the undertow as she pedals her legs. It mirrors the invisible undertow that she's exerted over me since day one. "Not what you... oh... no, it's really not like that, Clark." "Hello?" Marty calls from the shore. "Lois? Clark? Is that you two?" "Yes," Lois calls back. "Busted," she giggles under her breath. On shore I hear Marty snicker quietly before he shouts, "Don't mind me! I was just checking." "We should probably go back now," Lois says. "Okay." I want to beg her to stay for just a few more minutes, but we can't have this conversation with Marty within earshot. We both swim to shore. Marty has gone into the tent. His silhouette looms large against the canvas from the lamp's light. We dress quickly, our clothes sticking to our wet skin and underwear. "Next time we should just skinny-dip," Lois laughs. "This didn't do much good, did it?" "Not really," I agree. My mind wanders, thinking about tomorrow night and the possibility of skinny-dipping with Lois. Would being naked help or hurt my chances of having her hear me out? She couldn't really storm off if she was worried that I might see her, could she? Lois turns on the flashlight and starts up the trail. She waves the beam over the tent as we pass. "Good night, Marty!" she calls. "Good night!" he yells back. A few yards away from the house she stops and shines the flashlight on me. "So what's our plan for tomorrow?" I raise my hand to block the light. Caught by surprise, and already feeling off-kilter, I can't think of a thing to say. "Clark? Did you hear me?" She drops the light's beam to my chest instead of my eyes. "Sorry, yes, I heard you. I just... I don't know. I think I'd rather help out with the dig than go into town and look for the missing silver." "My thoughts exactly," Lois says enthusiastically. Lois' obsession with Superman usually falls under one of three categories - flattering, amusing or just a little unsettling. Tonight it's plain old irritating. "I should have known you'd never pass up the opportunity for a new angle on Superman." "What the hell?" She shines the light in my face again. "Tell me that's not why you're more interested in that hole in the ground over finding someone's tarnished old tea service!" "That's... different," I say lamely. There's no way I'm telling her anything now. "It's no different. Just because you're such good friends with Superman doesn't mean you have dibs on any story about him!" "Lois, that's not what I meant. It's not about the story..." "Oh really? I beg to differ. I saw you looking at those pictures. I've never seen you thinking so hard. I'd bet you all ready have half the story written." She turns away before I can reply and quickly covers the remaining distance to the house. The screen door slams and bounces behind her. Lois wouldn't appreciate the comparison to Emily, but she's acting exactly like her. I look back towards the dig site and then close my eyes. I suddenly feel very alone. I wish Marty hadn't interrupted us and yet... And yet I'm grateful that he did. Nothing is more frightening to behold than Lois when she's righteously indignant. It's better, isn't it, that she's angry over an imagined slight than something as serious as deceiving her? I open my eyes. I can just make out the light from the tent through the trees. I think about Lucas, buried somewhere nearby. If he was from Krypton he took his secret to the grave. It would appear he was close to Doc's grandfather but Lucas never confided in him. <"He always lived alone."> Was he lonely? He didn't talk about his family. Were they in his thoughts or was he escaping them by coming here? I think about the two pictures. One so sad and solemn and the other a moment of spontaneous laughter. <"He had a wonderful sense of humor."> But who was he? Was he happy here? Why was he here? <"It would be nice, wouldn't it, if Superman had someone?"> Ah, Lois, it would be nice. But how do I tell you? <><><> The next morning dawns bright and clear. The air is already heavy with humidity as we all head towards the dig site. It's going to be a scorcher of a day. Marty waves to us as we come out of the trees. Emily and Doc head into the tent when we reach the cabin. Josh gestures for Lois and me to join him at the shallow end of the trench. "Let me just run over some protocol with you before we work your fingers to the bone," Josh says. "Always enter the trench from this end. Unless you're actually working, try not to touch the walls of the trench. The trench is sectioned. Everything taken out of it is labeled with the coordinates of where it was removed. All finds need to be documented with a picture in-situ before they're removed from the ground. We remove the soil in here a layer at a time and all of the dirt goes into one of these buckets." Josh points at a stack of empty five-gallon buckets. "We'll start you out with sifting. You can take out earthworms and obvious tree roots but everything else is considered a field specimen and needs to be placed in a box and labeled with the bucket's coordinates." "Got it," Lois says impatiently. Josh looks a little pained and indicates that we should follow him into the tent. There's another long folding table inside. Josh shows us how to sift a spadeful of dirt at a time through the screen. He instructs us never to throw out any dirt until it's been okayed by either himself or Doc. Then he claps me on the shoulder. "Clark, we're going to shore up the house today since we have you here." It takes until lunchtime to assemble a makeshift scaffolding along the north wall of the cabin. When we finish it doesn't seem much more stable to me, but Doc and Josh seem satisfied. Marty shakes his head and throws me a look that tells me he's not holding out much hope for the structure either. Emily and Josh head up to the house together to bring back lunch. I stand near the edge of the deep end of the trench and watch Lois listlessly scraping dirt into a bucket. She's in a tank top and jeans with her hair pulled back in a ponytail threaded through the back of a baseball cap. Her arms and shoulders are smudged with dirt. I watch as she swipes at her face, leaving a small trail across her cheek. A trickle of sweat streaks across her clavicle and heads straight down into her cleavage. I should look away, but I don't since she takes the front of her shirt and pulls it back and forth to fan herself. "You look hot, Lois," I tell her. I grin at the double meaning. She really does look sexy, though I doubt she'd believe me. "I am hot, Clark," she grumbles and pulls the brim of her hat lower. "I'm miserably hot; thanks for noticing." I glance over at Marty and Doc; they're still assessing the scaffolding. Lois hasn't looked up from her trowling. I take a small breath and blow cool air over her in the trench. "Ohh, finally, a breeze," she murmurs and tilts her head down to let it blow across the back of her neck. It would almost be worth getting caught to have her see where her 'breeze' was coming from. But she doesn't look up and Doc calls for me to rejoin them. I send one last breeze at her in the trench before heading back over to the cabin. It's wrong, isn't it, that I find the relieved sigh she makes such a turn on? <><><> It's nearing five o'clock when Josh asks Lois and me to take the remaining unprocessed buckets from today back up to the house. There are four buckets and we each grab two. Lois takes a step and sets one of them down. "Too heavy," she says. "I'll come back for it." I pick up her bucket, carrying two in my right hand and one with my left. "Show off," Lois murmurs as she follows me up the trail. "Hey, Clark," Emily calls out from the porch as I get close to the stairs. "I have to run into town. Since you're cooking tonight, do you want to ride along to the store?" I glance back. Lois is still struggling up the path, lugging her pail along with jerky steps. The glare she gives me is proof enough that she heard Emily's question. I climb the stairs and set the buckets down. "Just a second," I tell Emily before I hurry over to help Lois. When I reach to take the bucket from her she swings it away. "I've got it, Clark," she grits out. "I'm going into town with Emily," I tell her. "Do you want to ride along?" I don't want to leave her here alone when we still don't know who left the picture on the back of her door. Lois has reached the porch and she rests the bucket on each step as she climbs the stairs. I'm about to repeat the question when she reaches the last step. She drops the bucket with a heavy thunk and wipes her hands on the back of her jeans. "Sure," she says sweetly. "Why not?" Her words are at total odds with her body language. I look over at Emily and she's smiling at Lois. "We can wait while you get cleaned up," Emily says. Lois looks down at herself, her expression unconcerned. "Nope, I'm all right. If you're going dressed like that, I should be fine." Wow. Emily doesn't even blink. She simply says, "Okay. Let's go." The drive into town is just as frightening as the drive from the airport. Emily speeds down the hill from the house and takes the corner before the bridge on two wheels. This time Lois doesn't pretend to enjoy the ride; she just glares at the windshield the entire time. The town of Valentia is tiny, even by Smallville standards. We drive over a two-lane bridge and past a small park. A gas station, a bar, and a little grocery store are lined up next to each other. Emily parks the truck on the opposite side of the street in front of an ancient-looking movie theater. No films are advertised and it looks like it's been years since anything was shown there. The heat is oppressive, even to me. The inside of the grocery store isn't much better. I'm wandering down the aisle in search of a bottle of wine when I hear a metallic screech followed by screams. I lower my glasses to look outside. A bus with 'Lucas Lake YMCA Camp' emblazoned across its side is hanging off the bridge over the river. I'm looking around for a likely excuse when the front door of the store opens and a distressed woman yells, "Chester! Call for help! A bus has gone off the bridge!" Lois and Emily both rush to follow the woman back outside. Chester pulls a phone out from under the counter and starts dialing. I slip into the storage room and then out the back door, changing as go. I fly swiftly to the bridge and lift the front end of the bus, moving it back onto firm ground. I'm just coming around the side of the bus when Lois calls out, "Superman!" I turn in time to see her running her hand self-consciously through her hair. Emily is standing next to her, gaping openly at me. Lois looks as flustered as I feel. "What are you doing here?" Lois asks. "Just passing through. Excuse me." I fly off quickly, mentally kicking myself for showing up. Most of the kids were already out of the bus and nobody was in immediate danger. I may have just blown it. I hurry through the alley and into the storeroom, changing back into my clothes. I jog through the store, bumping into Lois as I open the front door. "Where were you?" she asks. "In the bathroom. Why?" She lets out a disgusted sigh. "That figures. You just barely missed seeing Superman." "Superman? Here?" "I know! It's weird, huh?" "Why is it weird?" I look past her and see Emily standing outside, still looking up at the sky in the direction I flew away. Lois narrows her eyes at me. For a heart-stopping moment I'm certain that she's figured it out. "He didn't even talk to me," she mutters. "Obviously he was on his way to some other emergency," I improvise. Lois shrugs. Emily comes back inside. "I've never seen Superman in real life before," she says with a touch of wonder. "He's taller than I thought he'd be." <><><> Lois excuses herself to go upstairs as soon as we got back to the house. I'm absolutely certain she's up there writing. Emily follows me into the kitchen and perches herself on the counter to watch me cook. "Why archaeology?" I ask her. "What made this your life's ambition?" "Wow - I'm not sure this is really my life's ambition. I just love the sensation of holding something and knowing I'm the first person in centuries to touch it. I like to think about who had it last, what it meant to them. It's... kinda dumb, huh? Living in the past like that?" "No, not at all. I think I can understand the impulse." She smiles at me and sneaks a carrot from the pile that I've peeled. "So what about your family?" she asks around the crunch of the carrot. "How many siblings?" "Only child," I answer. "Lucky you," she sighs. "I have an older brother. He's... a typical older brother, I guess." "What does he do?" "He's in the military but I guess it's something he can't really talk about much." She rolls her eyes. "I bet he's really a paper pusher and he just says that to make it sound more interesting. He admired the hell out of our uncle who actually was some kind of covert big shot." "He was? Did he retire?" "Killed in the line of duty," Emily says quietly. "But, because of his job, that's all they would tell us." "I'm sorry." "Thank you." Emily shakes her head. "Talk about a buzz kill. Let's change the subject. Superman seemed to recognize Lois today. Do you guys know him?" "Yeah, he's, uh, helped us on some stories." "Cool! You're a writer? Like for a magazine?" "Yeah, like for a magazine." It's easier to go along with her than to correct her. "So are you guys friends or something?" "Me and Superman?" I clarify. I'm pretty sure she's not referring to Lois. Emily nods. "We're friends," I allow. "I guess I know him as well as anyone." "What's he like?" "He's... nice," I say lamely. "Nice!" she snorts. "He's nice to look at, anyway." "I..." I don't know what to say to that. Emily laughs. "I guess you probably don't spend much time looking at him like that." "No," I shake my head and laugh with her. "Not at all." "He must be nice," she says dreamily. "I mean, he has all those powers and yet he only uses them to help people. Why is that?" "Because he can help. He can make a difference." Emily laughs. "Is he really that naive?" "Superman is not naive!" Lois exclaims from behind us. Emily and I both jump in surprise. Emily slides off the counter as she says, "Whatever. Don't have a freakin' cow, I just think it's a little naive not to have some ulterior motive." She takes another carrot and leaves the kitchen. Lois glares at me. "Getting a little friendly with the enemy, aren't we, Clark?" "The enemy?" "Yeah, for all you know she's our stalker." I laugh. "Is that all that's bothering you? Or are you still upset because Superman didn't talk to you today?" "I just wanted to tell him about Lucas Peregrine! That's all." "Sure." I know she absolutely hates it when I agree with her like this. Lois crosses her arms over her chest and leans back against the counter as she sulks. The back door bangs shut and Marty comes into the kitchen. Lois ignores him in favor of harassing me. "Why do you assume that I can't mention Superman without some ulterior motive?" "Oh, I don't know. Maybe it's just two years of experience?" "He's never been that abrupt before. I'm telling you, Clark, it was weird. The whole thing was weird." It's the last thing I want to talk about. Marty looks curious. "You saw Superman acting weird? Where?" "Here!" Lois turns to him, happy for an audience. "I saw him in town today." "Superman was in Valentia today? That is weird." Marty looks thoughtful. "I don't know why it's so weird that he'd be here. He helps out all over the world. He may have just been flying over on his way to somewhere else." I definitely shouldn't have brought the suit with me. How long until everyone just lets it drop? Lois and Marty both look unconvinced. "I think he's just a weird guy, period," says Marty. "Emily thinks I'm a freak? He's the real freak." Lois looks to be as taken aback by his sudden vehemence as I am, but Marty is just warming up to his subject. "He's an alien, you know? He's not even from here. Some people say he's just the advance guard for an entire invasion. This whole thing with Lucas is scary. What if Lucas was the advance guard and Superman is the next wave?" "You don't really think that, do you?" I ask cautiously. "No," Marty shakes his head. "But I know some people who do. Some of the re-enactors I hang out with are huge conspiracy theorists and they have a lot of interesting ideas about Superman." <><><> After dinner Josh invites us to go into town with him, Marty and Emily. Two or three nights of the week they hang out at the bar there. I'm in no mood to go back to Valentia and I turn him down politely. Lois also declines and she sits down next to me on the top step of the front porch as they drive away. "Why didn't you go along?" I ask. "Josh is okay, but neither Emily nor Marty are my idea of good company," she answers. "True." "Besides," she leans just a little towards me. "I was hoping we'd go swimming again." "Are you skinny-dipping this time?" "Not even if you paid me," she grins. Then she stands up, holding her hand out to me. I take it and let her help pull me to a standing position. She doesn't let go of my hand; in fact, she clasps it with both her hands. "Ask me the other reason why I'm glad I came along on this story," she says softly. "Why are you glad you came?" "Because this is the first time since we started dating that you haven't run off just when things are getting interesting." "And are things getting interesting right now?" She lets go of my hand and blushes. "Maybe. C'mon, Clark, take me swimming." <><><> This time Lois beats me at getting undressed and into the water. She dives in and swims a short distance before turning over to float on her back. I swim out to join her. "It's like floating in the stars, you know?" she says dreamily. "Almost," I tell her. Truthfully, this is actually better than floating in the sky. The sky is so empty and vast whereas the lake feels like being embraced in something tangible. Then again, it might just be her company that makes me feel so grounded. I stare up at the sky and wonder if Lucas ever floated in the lake like this. Could he pick out Krypton's sun among all the stars? Was he stranded here or did he come here deliberately? The only things I learned about him today were that he ate a lot of chicken and could have picked a sturdier wood to build his house. I can't decide if it's my imagination or if it's intuition that tells me there is something waiting for me in that cabin. Every time I went near the northeast corner my skin seemed to almost hum. Then again, Lois was down in the trench only a few feet away and she often has the same effect on me. There's a soft splash and I realize that Lois is swimming back towards the shore. "Ha!" I call out to her. "You're one the doing the leaving now." The splashing stops. "I'm not leaving you; I was just going back to shore." "Wait, I'll come with you." We're wading through the shallow water when she stumbles and falls sideways against me. I grab her, putting my arm around her waist for support. In the moonlight I can see the way her wet bra clings to her. Oh god, this might be a bad idea. I try to pull away, letting go of her waist but she grabs my arm to steady herself. She places her other hand on my chest. Can she feel how fast my heart is beating at her touch? I swallow, feeling trapped by both lust and the realization that she's looking directly at me. I'm not wearing glasses, surely she can't miss the resemblance? "Clark?" she whispers. Her hands don't move from my arm and chest. Our eyes meet and her mouth parts slightly. I wait for it, the exclamation, the accusation, maybe even a good hearty slap. Nothing. Maybe she really doesn't see it. Or maybe, it dawns on me, she's waiting for you to kiss her. Maybe she's actually not even thinking about Superman right now. I bend a little closer and her eyes close. I was reading that right - she wants me to kiss her! She leans closer; close enough that her breasts skim my chest as my lips brush lightly across hers. She exhales and then her hands move to the back of my neck, pulling my mouth down firmly to hers. Her lips part, her tongue tastes my upper lip quickly before disappearing back into her mouth. I follow it with my own, feeling bolder as her lips part to give me access. The kiss becomes more urgent and deep. I wrap my arms around her, thrilling to the feel of her skin against mine. Lois smoothes her hands over my shoulders and down my chest, she's never touched me like this before and I can feel my self-control slipping. I want to touch her back, be as bold in caressing her as she is in exploring me, but I don't dare. I break the kiss first, telling her in a ragged whisper that we ought to go back to the house now. She sighs and then agrees with me. Was that hesitation? Did she want more? Have I called a stop to this too soon? It doesn't matter. The moment is gone. Lois wades out of the lake and starts to get dressed. I take a couple of deep breaths to steady myself and then join her. I put my glasses on first, just in case. <><><> We spend the next morning preparing the dig site for the bad weather that Doc's predicting. Securing a tarp over the trench takes all six of us since the wind has picked up. It begins to rain as we lug buckets back to the house. We settle into the sitting room. Emily keyboards more index card entries into the computer. I sift one of the buckets. Josh is showing Lois how to clean field specimens. Marty and Doc are occupied with filling out index cards and cross-checking them against the field specimens log from the tent. After a few hours we're all feeling a little stir crazy. It doesn't help when the ceiling light flickers and dies. Emily swears and pushes back from the now-dead computer. She joins Doc in sorting through the index cards stacked on the middle of the three tables. "We lose power out here a lot," Josh explains. "Usually during storms, but sometimes for no discernable reason." The rain has done nothing to disperse the heat inside the house. It's uncomfortably hot and muggy, even with the windows open. "I know where I know you from!" Marty snaps his fingers and points at Lois. "You're that reporter from Metropolis! The one who kissed Superman before he took out the Nightfall asteroid last year, aren't you?" The room falls silent. Emily and Doc stop what they're doing and look over. Josh gives me a regretful shrug. "Umm," Lois says, her cheeks beginning to flush. "That was you?" Emily looks at Lois with new eyes. "I remember that. You practically made out with him on national television." "Actually, it was more like international television." I can't stop myself from adding that little tidbit, if only because it makes Lois blush even harder. Lois shakes her head. "I didn't make out with Superman. I was just... kissing him for luck." In which case, I wish she'd kiss me for luck every day. "I don't know," Marty says dubiously. "I seem to remember it as being pretty intense." "Is he a good kisser?" Emily asks. Lois rolls her eyes and sighs. "Yeah," I speak up when it seems that she's not going to answer. "Is he a good kisser?" Lois shoots me a disgusted look. "I don't kiss and tell!" "Oh, come on," Marty cajoles her. "Just answer 'yes' or 'no'." "Have you kissed him more than once? Or was that the only time?" Emily leans forward to rest her elbows on the table as she waits for Lois to answer. Lois scrubs at the field specimen in front of her, trying to ignore all of us. Even though Josh and Doc haven't joined in the questioning, they're waiting for her to answer, too. "She's kissed him more than once," I offer cheerfully. "Clark! You're not being helpful here." Lois slams the toothbrush she was using for cleaning down onto the table. "How many times?" Marty asks. "I'm not going to answer any questions about kissing Superman." Lois sets the specimen aside and stands up. "Now, if you'll all just excuse me, I have something else to do." And, with that, she leaves the room. "Wow, she's a little touchy, isn't she?" Emily smirks. She has *no* idea. I think about following Lois but I know she's not going to talk to me for at least the next hour. I'll finish sifting this bucket and then I'll go find her. <><><> "Lois?" I knock softly on her door. "Are you in there?" It's something of a rhetoric question since I know she's in there. What's less certain is whether she'll answer me. She lets out a sigh and then I hear her footsteps. She opens the door a few inches and glares at me. "What do you want? Because, unless you're here to apologize, I don't want to talk to you." "Apologize?" "Yes!" "For what?" I know why she wants an apology, but I can't help baiting her when she's acting this petulant. She starts to shut the door so I put my foot in the opening to stall her. "Okay, I'm sorry." "For what?" She's not going to make this easy. "For... whatever it is you think I did." I'm not going to make it easy either. "Move your foot." "Lois, I'm sorry." I try again. "I shouldn't have teased you like that." "You're my partner, Clark! You're supposed to take my side. You're not supposed to add fuel to the fire, pointing out how many times I've kissed Superman." "I didn't say how many times. I only said you'd kissed him more than once." I know I'm splitting hairs, but I feel compelled to point out the distinction. "I didn't realize you were keeping track. How many times is it, Clark? Do you know?" I tense, there's a dangerous undercurrent beneath that question. "I don't know." It's a bad lie but she doesn't call me on it. "Are you jealous of him? Is that it?" The truth is, until recently, I was jealous of Superman. It's a conundrum that has kept me awake far too many nights to mention. Since we started dating, however, I've felt a little more secure around her. "No..." This time she does pick up on the lie. "You are jealous!" I take my foot away from the door and step back. "Anyway, I'm sorry. I just wanted to check on you and make sure you were okay." She opens the door all the way. "Admit it. You're jealous." I take another step back. "I'm not jealous." "Do you really want to know? Because I'll tell you." She follows me out into the hallway. "Tell me what?" "If Superman's a good kisser. After all, you did ask me." I feel like a deer in headlights. Of course I want to know the answer to that question but there are danger signals going off in my brain. Lois takes my silence for assent and she shrugs. "He's not bad." I don't know whether to be relieved or insulted. "That's it? Just 'not bad'?" Lois shakes her head in disgust. "There's no pleasing you, is there? I thought you'd be happy to know that you're a better kisser than he is." "I am?" How does she figure that? I just stare at her. "You seem disappointed." Her eyebrows furrow as she frowns. "Why are you disappointed?" "I'm not disappointed. I guess I'm just... surprised." "That I'd rate you as better than Superman?" That, too. "Well, you have to admit, that's a first." Her expression clouds. "I... I'm a terrible person, aren't I?" "What? No, Lois, that's not what I'm saying." "But it's true. I've been mooning over Superman since the first time I saw him. And I never have compared you favorably to him." I wish I could say she's exaggerating but she's not. "The truth is I compared every man I've met for the past two years against Superman. It wasn't just you, if that makes you feel any better. And..." her voice trails off and she looks down at her feet. "And?" I prompt. "And nothing. I'm sorry. That's it." "I'm sorry, too. You're right, I shouldn't have teased you like that." She looks up and gives me the same shy smile as she did when I forgave her for slamming the door in my face after our first date. "You really are a nice guy, Clark. Maybe even nicer than Superman." "Nicer than Superman?" "Well, yeah. He has to be nice, it's sorta his job. You're just nice because you're you." "So I'm a better kisser and I'm nicer than Superman? Anything else?" "You should stop while you're still ahead." "Okay." I reach out and touch her cheek. She puts her hand over mine and looks up at me, her eyes soft with affection. God, I want to tell her. Right now. But there are four people sitting downstairs who are probably straining their ears to listen in on our conversation. It's not the kind of thing you can tell someone, especially Lois, with an audience. If only it wasn't raining, we could take a walk and I could tell her everything. "What?" she asks, her expression curious. "Huh?" "You look like you want to say something." "I did. I do. I just..." I tilt my head towards the stairs. "I want to talk to you, just not with an audience." She steps closer and I immediately start thinking about how it felt to kiss her last night in the lake. "You could just whisper it," she says softly. I swallow; she really needs to back up a few inches or I'm going to lose all coherence. "It's not what you think it is. I mean... would you be willing to go for a walk?" That does the trick. She steps back just as a crack of thunder shakes the house. "A walk? Are you serious?" I nod. She folds her arms over her chest and frowns. "I'm not going for a walk in this." "I'll tell you later." "You could tell me now." The mood has totally passed. I shake my head. "Forget it, it wasn't that important." I head into my room and stop dead. Sitting on my pillow is another picture. Lois and Emily are in profile, both of them looking up and shading their eyes. It had to have been taken yesterday when we were in town. I don't pick it up, lowering my glasses to check it for fingerprints. There are none. Lois comes in as I'm pushing my glasses back up. She looks over to see what has captured my attention and then gasps. "Oh my god!" She brushes past me to pick up the picture. "Damn," she says, looking at it. "I really thought Emily was behind this." I laugh, in spite of myself. "Do you want to take it downstairs and interrogate everyone?" "No. I don't want to give him the satisfaction." She shakes her head emphatically. Then she turns the picture over; her hand trembles. 'LOIS LANE WILL LEAVE HERE IN A BOX' is written on the back in large block letters. "In a box?" Lois says in disgust. "In a box? That's so stupid, isn't it?" She looks up at me, her eyes dark with worry. "I'm sure they're just trying to upset us, that's all." I include myself in that statement because I'm certainly upset. Would she get the hint if I picked her up and flew her out the window to somewhere safe? There's a flash of lightning and an almost immediate crack of thunder. That one was close. Lois jumps, her hand reaching out instinctively for my arm. "I wish we could go for that walk," she says, her fingers tightening on my bicep. Her expression changes from frightened to determined and she releases my arm to walk over and shut the door firmly. "You were right, Clark. We should talk." She comes back over and sits on the edge of the bed, patting the space next to her in invitation. I sit down heavily, not sure what it is she wants to talk about. I've done a quick risk assessment and there's simply no way I can tell her. Not even if we left the house - we'd still have to come back sometime and two years of subterfuge is not something she's likely to forgive quickly. Or quietly. "Let's think about this logically, okay?" she starts and then begins ticking points off on her fingers. "One; someone left pictures of me on my desk at the Planet. Two; someone left a picture of us, in Metropolis, on the back of my door. Three; someone has left another picture, taken in Valentia, but this time there's a message on the back. Now, are all three of these things connected or am I just that popular?" "They have to be connected," I tell her. "It's just too much of a coincidence otherwise." "Right. But those first pictures showed up on my desk at least a week before you got the call from Josh to come out here. So did someone send those pictures in advance of stealing the silver to bring us out here?" "Lois, we don't even know if they had found the silver yet when those pictures were left on your desk." Agitated, she stands up and throws her arms wide, narrowly missing me. She turns away from me but not before I see her face twist in frustration and fear. She moves to the desk, absently tracing the wood grain on its surface while she thinks. "Do you ever feel lost, Clark?" she asks quietly. She looks back at me and I nod. "I just hate this. I hate feeling trapped and clueless and..." She turns back to the desk. My heart beats faster - she's here. My real Lois. She's here and she's allowing me to see her. "Scared?" I finish for her. "I hate that most of all." I want to hold her, but that has to be her decision. "Do you know what scares me most of all?" This is said so softly that I doubt I could have heard her without superhearing. "What?" "I know you think I'm reckless sometimes," she turns and sits back against the edge of the desk. "And, truthfully, I probably push things further than I used to because of Superman. I've gotten used to having him around. He's always right there or close by. And now, being all the way out here, it's like I'm working without a safety net. Sure, he was in Valentia yesterday, but he was obviously in a hurry to be somewhere else. There's no guarantee that he'll be there if something happens." "Lois..." I start and then hesitate. It's a great opening, but there are still four people downstairs and she's not likely to respond in a soft voice if I tell her. "I'm here. I would never let anyone hurt you." This elicits a small smile. "I know that. And it means a lot to me." She pushes away from the desk and comes back over to me, resting her hands on my shoulders as she looks down at me. "You know I would never let anyone hurt you either." I smile. "Thanks." Her fingers tighten a little on my shoulders. "So... I guess there won't be any swimming tonight." "No, I guess not." "That's a shame. I was really looking forward to it." Feeling bold, I put my hands on her waist and gently urge her forward so she's between my knees. She comes willingly. Her left hand leaves my shoulder to comb back my hair. "Why?" I ask her. "What's so great about swimming in a lake?" "The stars," she says wistfully. "I love the night sky, all those stars. And..." "And?" "And this." She leans down and kisses me softly. I hear the squeak of someone coming up the stairs. I put my hand on the back of her head and deepen the kiss. She lets out a soft moan at my sudden fervor but she kisses me back just as passionately. She sinks down, settling herself onto my knee and wrapping her arms around me when there's a knock on the door. "Dinner's ready," Emily calls out. Lois groans and pulls away from our kiss. "I really don't like her." At this moment, neither do I. <><><> By morning the rain has stopped. Humidity still hangs heavy in the air but the temperature is much cooler than the day before. Mist rises from the ground as we all hike towards the cabin. It matches perfectly with my sense of foreboding. We roll the tarp back and find a few inches of water in the bottom of the trench. "Please tell me we're not working in there today," Lois gripes. For once, Emily seems sympathetic. "You can help in the tent today. Let Marty and Doc work on the water situation." "Thanks," Lois says, a little surprised. Josh and I check on the scaffolding along the north wall. It shifted considerably from the wind so we decide to take it down and reassemble the whole thing again. Marty and Doc spend the morning bailing and pumping the water out of the trench. Every scoop of water is run through a sieve first, complicating and drawing out the process. When I hear my name mentioned I freely eavesdrop on Lois and Emily as Josh and I take the scaffolding down. "So, you and Clark, how close are you guys?" Emily asks Lois. "Oh," Lois is caught off-guard. "We're really... he's my best friend. And we're dating." "What about Superman? Is there something there?" Lois makes a little sighing laugh. "Superman? He's a good friend, too, but not like Clark. I'm not dating him. I mean, I guess I would, if he'd ask me. But he never has. And he's not naive, you know." Emily sighs. "I didn't mean he was naive, it just seems odd that this perfect guy only exists to help people. What does he do when he's not flying around fixing problems?" I can hear the smile in Lois' voice as she answers. "I remember he once told me he had to run errands. But they weren't stuff like picking up dry cleaning or grocery shopping. He hangs out at neighborhood watch meetings and then he said he was going to prison." "Prison?" Emily giggles. "I bet he's their favorite pin-up boy." Lois laughs with her. "Yeah, he never did say why he was going to the prison, just that it was on his list of places to go." There's a pause and then Emily hesitantly asks, "So... is he a good kisser? Superman, I mean. He looks like he'd be a good kisser." There's a pause and I think that Lois isn't going to answer. Then she says very softly, "Yeah. He is." But Clark is better, I think. Emily giggles again. "I knew it! He's just so... wow. I'd only ever seen him in pictures or on TV, you know? I guess it's a good thing he didn't come over to talk to us. I don't think I could have said anything intelligent." "He does have that effect on people. I still get nervous around him, not as often, but sometimes." "Clark!" Josh sounds frustrated. "Are you helping or hindering?" "Sorry," I apologize, directing my attention away from the tent and over to Josh as he tries to steady a pillar. We struggle with the post for a minute until I put a little extra effort into it and slide it firmly into place. "There are days when I think I need to seriously reconsider my career," Josh pants, wiping his forehead. "We need to try and brace this wall from the inside. I'm gonna take this post into the cabin and see if we can counter-balance the weight from the inside." "I'll do it," I tell Josh, taking the post from him. I stand in the open doorway and look inside the cabin. Sunlight slants through the spaces where the outside wall has spread. Some of the planks from the wooden floor are missing, the rest creak beneath my feet as I move inside. I carefully pick my way over to the northeast corner, feeling that same odd tingle along my skin. I lean the post against the wall and then step back, looking to see a good spot to ground it. I kneel down and pull up a couple of floor boards. "Clark?" Josh calls. "It's okay," I shout back. "I'm just looking for a good spot to..." Before I can finish there's a creak, then a loud snap and then both the pole and the entire wall are falling onto me. I flatten myself on the floor, figuring that's the best idea. As the weight of the wall and roof settle on me all I can think is that I'm glad I came inside instead of Josh. I can hear the shouts and cries from outside. The one that cuts through me is Lois' anguished, "Clark!" I hear her struggle with Marty and Doc, trying to get closer to the cabin while they tell her to stay out. As soon as the crashing noise ends I call out, "I'm okay!" "Clark?" Lois sounds almost frantic. "Clark? Can you hear me?" "Yes! I'm fine!" And I really am. It's a good thing I came inside instead of Josh. The roof's center beam is resting directly across my back and head - it surely would have killed anybody else. There's no way I can just crawl out of here without rousing suspicion so I let out a small sigh and settle in to wait until they've pulled enough of the cabin off of me to make it look like I was just really, really lucky. The commotion outside is intense. Emily shouts that she's going to run back to the house and call for an ambulance. Everyone else is involved in pulling the rubble away. I can hear Lois, barking orders at them as she directs. I feel guilty for making them all go to so much trouble, but after Marty's outburst about Superman there's no way I'm going to reveal myself. As they pull away wood the pile on top of me shifts again, pressing down even more heavily. "No!" Lois yells. "Not like that! Clark? Are you okay?" "I'm okay, Lois!" I call back, turning my head towards where her voice was. Something glints in the dark tomb I'm trapped in. I reach out towards it and gasp when it hums at my touch. It seems to be a small box, hidden inside the stones of the cabin's foundation. I inch a little closer and grasp the end of the box, pulling it towards me. It comes free from the foundation, still emitting a low hum that reminds me of the globe Jor-El left for me. A small beam of sunlight slants in from above me. They're getting closer to having me free. It also shows the odd hieroglyphics carved into the box. Even though I can't read them I'm certain it's Kryptonian writing. I turn it over in my hands, unsure how to open it. There's no obvious lock or hinges. It's fashioned from some type of metal but it's lightweight, measuring about five inches long, four inches across and only three inches high. Another beam of light slants across it. On impulse I push it back where I found it, setting a stone in front of it to hide it. Yes, I should give it to Doc. It's part of his proof. But I don't want to share it just yet. Not until I know what it contains. I know it's wrong, but it's my heritage, not Doc's. Lois's hand touches my ankle. "Clark? Can you hear me? Are you okay?" I twitch my leg, my guilt compounding with her relieved sigh. I edge myself slowly out from under the beam - there's no way they could all lift it off of me. Nor is there any way I could explain being unscathed from it crushing me. As they pick another section of the wall off me, I roll into the free space they just opened up. Four anxious faces peer down at me. I sit up and Marty and Josh each take my arms to help pull me out. "Be careful," Doc cautions. "We don't know how badly he's hurt." "Actually, I think I got really lucky. The beam from the ceiling kinda saved me." "Oh, thank God," Lois breathes, her face pinched with worry. Her eyes dart back and forth as she checks to see if I'm really all right. Josh looks at me in amazement. "You are one lucky son of a..." "I can't believe it," Marty says. "We thought you were dead, for sure." Lois touches my face. "You're sure you're okay?" "Yes, I promise. I was just trapped, but I was okay." Her eyes close briefly in relief. When she opens them again her hand drops to encircle my wrist. "I have to talk to you, Clark. Now!" Josh and Marty exchange a knowing look. "Dude," Marty says with a laugh. "We'll give you two a minute." Lois pulls me down the hill, stopping when we get to the pier. She looks back up the hill where Marty, Doc and Josh are looking at the rubble of the cabin and shaking their heads in disbelief. "That wasn't an accident, Clark. Josh did it on purpose." "Josh? You're saying Josh is behind this?" "I saw him, Clark! I saw Josh messing around with the scaffolding. He pushed on the wall and it fell over!" "Josh? Lois, really..." "I know he's your friend, but you need to look at this objectively. Who set all this in motion to bring us out here? Who knew ahead of time that we would both be here? Who knows that we work at the Daily Planet? Josh!" "Lois, you're forgetting one thing. Josh was here in Valentia - he couldn't have taken those pictures of you in Metropolis. Someone was already stalking you before he called me." "So he had an accomplice. Maybe he had someone leave those pictures on my desk to really mess with our minds after we got here. Did you ever make him angry? You had to have done something - think! Did you steal his girlfriend? Run over his dog? Maybe he thinks the best way to get to you is through me. After all, you did say all those flattering things about me to him. He knows you like me, right?" "But that doesn't make sense. Josh isn't like that." "You're saying I didn't see what I'm telling you I saw?" I sigh. "I don't know. Maybe you were mistaken?" "Fine." She shakes her head in disgust. "Don't believe me." "Lois, it's not that I don't believe you..." "Whatever, Clark. Forget it." She heads back up the hill. I sigh as I watch her walk away. It would have been nice if she'd been happier I was still alive for just a little bit longer. <><><> Doc tells us all to call it an early day. He thinks the cabin is too unstable to sort through right now. I breathe a sigh of relief that the box will stay safely hidden under the rubble. Marty, Josh and Doc start up the trail towards the house. I hang back, hoping for a chance to retrieve the box but Lois stays with me. "Look," she says, pointing at the end of the thick center beam where it juts out from the tangled mass of wood. "See the end there? See how it's a clean break? Old wood should splinter. It doesn't break clean." She's right. It doesn't look like an accidental break at all. "We were both working on the scaffolding, Lois. Just because you saw Josh messing with it doesn't mean he was trying to kill me." "What about Marty?" she asks. "He had all the time in the world to tamper with that beam since he sleeps down here at night." "But he wasn't here last night. He slept at the house because of the storm." "He could have done it the night before." Lois never lets a theory go until a better one comes along. "Then why didn't it blow down in the storm?" She frowns. "I don't know. Maybe he got up early this morning to do it?" "But why? And if you are the target, why weren't you sent into the cabin on some pretext? Josh was going to go in, not me. How could he be sure I'd offer to go instead?" Lois falls silent, staring out at the lake as she nervously chews at her lower lip. I glance at where the box is hidden. What's inside it? Why does it call to me? It's torture having to wait until later to hold it again. "Hey, Lois!" Emily yells from the top of the hill. We both turn to look at her. "It's your night for dinner!" Lois sighs and then pats my arm as she moves past me. "In another half hour you're going to wish you were still under that pile of wood." I give her a smile but don't walk with her. She stops and turns back. "Aren't you coming?" "In a minute. I just want... to be alone for a few minutes." She gives me a sympathetic nod and then trudges back up the hill. I wait until she disappears into the trees before I lower my glasses and check that I'm alone. No one is around. I go back over to where the box is, pulling the foundation stones away so that I can reach inside. My skin begins to tingle even before I touch it. In better light I can see that the Kryptonian writing seems to be a border. The box is lightweight and a soft blue color reminiscent of the spacecraft I was sent to Earth in. Is it the same type of metal? "What are you?" I breathe. It doesn't answer. I turn the box over and over, looking at each side of it, but it doesn't do anything besides emit a soft hum. I still can't distinguish where, or even if, the box opens. I shake it gently but I don't hear anything. Think, Clark. Why does it hum when you touch it? The globe does that too. But it didn't at first, I realize with a start. The globe was attuned to me, but it took months before it finally spoke to me. Would a Kryptonian object that wasn't attuned to me ever talk? It wants to, I realize. It's trying right now. Would it hum for anyone who touched it or do they have to be from Krypton? Now there's a conversation I want to have. "Hey, Lois, will you just touch this strange object I found and tell me if you feel anything...?" I hear footsteps on the bridge over the creek. Someone is coming towards the cabin. For a split second I hesitate. I don't want to put the box back. I hurry into the trees near the lake's shore. Marty calls out my name. I stay hidden, waiting to see what he does. He looks around curiously, shouting my name a few more times. Then he shrugs and kicks at the pile of rocks I dislodged from the cabin's foundation. He yells my name one more time before he turns and heads back towards the house. I clutch the box close to my chest and try to decide what I should do. Leave it in the trees? But that would be risking that someone else might find it. Take it back to my room? Is it really safe there? Someone has already been in my room to leave that picture. I can't take it back to Metropolis. It's not possible to just disappear at random as easily out here. Then again, I'm all ready in trouble - how am I going to explain not being at the dig site when Marty came back? I'll cross that bridge when I come to it. I move at super-speed through the trees towards the house. I wait, listening to hear where everyone is. Marty opens the back door and says, "I can't find him." "What do you mean you can't find him?" Lois asks. "I mean, there was no one down there and he didn't answer when I called for him." "Maybe he took a walk?" Emily suggests. "I'm sure he was pretty rattled by the cabin falling on him. God knows I would be." I peek at the house. Emily, Lois and Marty are in the kitchen. There's no sign of Josh or Doc, but the truck is missing. It's now or never. I rush around to the front of the house, elevate to my bedroom window and slip inside. I quietly pull my suitcase out from under the bed. I rip out the liner of the suitcase and nestle the box between the two rods for its telescoping handle. Then I adjust the liner back into place. It's crude, but it will do for tonight. I click the security lock shut and scramble the combination before shoving the suitcase back under the bed. I check again, the three of them are still in the kitchen, arguing about where I might have gone. I leave through the window and land on the front porch. I take one quick breath to steady myself and walk inside. As I come through the doorway into the kitchen they all turn to stare at me. "Where the hell have you been?" Lois asks. "For a walk. I... came back through the trees. Why?" "We've only been looking for you for... How am I supposed to know that you aren't confused and dizzy and wandering around somewhere? That happens, you know. People get a concussion and fall into water or mine shafts all the time." "I don't think there are any mine shafts around here," Emily says with a quick smile in my direction. "That's not the point! The point is we shouldn't have left a person with a possible head injury, oh, never mind. You're here now." "What are we eating?" I ask. "Whatever Josh and Doc bring back." Marty grins. "Lois said she'd buy." I look over at Lois and she flashes me a warning glare. "Don't say it. You could still die today, Clark," she cautions me. <><><> After dinner I head back to my room, feeling like an Argonaut lured in by a siren's song. I'm just about to pull the suitcase out from under the bed when Lois knocks on my door. "Clark?" Damn. "Yeah?" "Can I come in?" I can't think of a single reason why not. I couldn't possibly tell her I was undressed and have her believe me. "Sure." I unlock the door and open it. She doesn't come in. "How are you feeling?" "Good." She tilts her head and assesses me. Then she quietly asks, "Are you up for a swim tonight?" Now I'm truly torn. Which siren song do I follow? The box under the bed? Or wet half-naked Lois? I think about the kiss we shared last night. "Give me a minute," I tell her. "I'll meet you on the back porch." "Okay," she gives me a shy smile. "One minute." As soon as she starts down the stairs I pull the suitcase from beneath the bed and recheck the lock. Still on, still secure. I push the suitcase back and head downstairs. <><><> Tonight I leave my glasses on. I've tempted fate more than enough. As we float on our backs looking up at the stars I find myself distracted, wondering about the box and what it might contain. Maybe swimming wasn't the best idea tonight. Maybe I should find a way to go back early... I touch her arm lightly and tell her I'm heading back to shore. I'm wading through chest-deep water when she splashes me from behind and tries to start a water fight. I keep moving, feeling bad that I'm ignoring her, especially when she's in such a playful mood. "Are you okay?" she asks. "I'm fine." "You're not feeling dizzy or sick, are you?" "I don't have a concussion, Lois." "How can you be sure?" She moves in front of me and I stop, still waist-deep in the water. "You really ought to get checked out." "Lois..." "Seriously, Clark. You're worrying me. You seem listless tonight." "I'm just tired." "You know you shouldn't sleep for 24 hours after a head injury." "I don't have a head injury." "Well, if you're confused, you'd hardly be the best judge, would you?" She reaches up and runs her fingers into my hair, pressing her fingertips down gently. "Does this hurt?" "No." Hurt is exact opposite of how it feels. "I was so worried... when the cabin collapsed on you." "I know. Really, I'm okay." Why did Lucas hide the box? There has to be something inside it. Lois' hands drop to my left shoulder and she squeezes it gently. "How about here? Does this hurt?" "No, that feels okay." Both her hands travel down my left arm. "What about your arm? That's okay?" "Yeah." On second thought, the box will still be there. Lois is here now. The water eddies between us as she moves to stand behind me. "Hmm. What about here?" she asks, drawing her fingers across my back. My mental 'Yellow Pages' flips to "Getting Some" and the box fades dramatically in importance. "That's okay, too." She lets out a small, nervous laugh. "Just okay?" What does she want me to say? All higher brain function is rapidly deserting me. I let out a little gasp as she places a feather-light kiss on my shoulder blade. "How about that? Was that okay?" she asks quietly. "Yeah. That was more than okay." She kisses the center of my back and then her arms slide around me from behind. Her cheek rests against my shoulder blade and she sighs. I take her hands in mine, threading my fingers with hers. "I was so worried," she whispers. "It's over now, and I'm fine." I lift her right hand and press a kiss in her palm. "We're here, together. Don't think about what didn't happen." "Remember last night when I told you I only took risks because Superman is always around to save me?" "Yes." "Today, when the cabin collapsed, I kept hoping that he was going to fly in and save you." She kisses my back again. "But he didn't. We're on our own out here, Clark. Promise me you won't do anything that reckless again." "I..." I chicken out. "I promise." She leaves a trail of soft kisses across my back as she works her way to my right shoulder. "How about this side?" "It's okay," I answer and bend my head to kiss her. She kisses me back, her arms wrapping around my neck. As the kiss deepens she presses against me. The water laps at us softly. She trembles as I smooth my hand down her back and then to her waist. Her hands leave my shoulders and caress across my chest. Is that a hint? I nudge my hand a little higher. Give me a sign, Lois. Something, anything. She's so soft, the kiss so tender and yielding, that I feel daring. I lightly trace my thumb just beneath her breast. Lois quivers, her mouth coming loose from mine. "Oh," she whispers. I freeze, moving my hand back to her waist. "Sorry," I murmur. "Don't apologize." She nibbles at my lower lip. "I wasn't asking you to stop." There's a pounding in my ears that matches the throbbing elsewhere in my body. "So this is okay?" "Oh yeah. It's more than okay." Lois lets out a nervous laugh and kisses my shoulder again. I bend down, kissing along the edge of her bra before darting my tongue out to taste her skin. Lois tips her head back, her hands threading through my hair in encouragement. I kiss my way back up her throat and find her lips again. "Oh my god, this is it, isn't it?" She shivers in my arms and I attempt to pull her closer but she puts her hands flat on my chest to push me away. I reluctantly let her go. "Don't get me wrong, I want this. I mean, I think I want this. Do you want this? What am I saying? Of course you want this. Don't you? You do want me, right? Oh god, this is embarrassing." "Lois, this doesn't have to be anything. It's whatever you want it to be." "What do I want it to be? What if I don't know? What if... we just go back now? I'm sorry." "Sorry? For what?" "For..." She lets out an embarrassed giggle. "For leading you on." "You weren't leading me on," I assure her. "Let's go back to the house." "Thanks," she says softly. "I just don't think I'm ready..." "You know what?" I take her hand as we wade towards the shore. "I don't think I'm ready yet either." Taking that step will mean telling her. And telling her... well, I'm not ready to do that. Things are going so well between us. I don't want to ruin it. <><><> It's nearly one o'clock before I'm certain that everyone is asleep. I roll off the bed, pulling the suitcase out and taking the box from it. It hums, but this time it also gives off a soft glow. I trace the engraved symbols, wishing I could read them. Are they instructions? Just for decoration? Lucas' monogram? "I greet thee..." a garbled noise comes from the box, sounding like a cassette tape as the machine eats it. "Go on," I will the box to continue, but the glow fades and then dies. The humming stops. Disappointment floods through me. It's so unfair. "Come on... please," I whisper. Nothing. I set the box on the bed and sit down next to it. I trace my finger over one of the symbols, then the next. Suddenly the box begins to glow again. I run my finger over the etched outline again and the box floods the room with light. Lucas Peregrine's form emerges from the light. "I greet thee thrice," he says, raising his hand. Even though I know he can't see me, I raise my hand in return. "I am Lu-Kess, son of Krypton. I have fled my planet, accused of a crime I did not commit. I have left my family so they will not have to share in my shame. If you find this message, please tell my family that I did this for them. I have left these memories for my wife. Please see that she or my son receive them." The light fades and Lucas disappears. I'm still sitting there in open-mouthed wonder when the box springs open. <><><> There's a soft green glow coming from inside the box. Surely Lucas wouldn't be keeping Kryptonite? I don't feel sick so I reach inside and pull out a long, thin translucent strip of something that looks like plastic but feels like metal. Yet it's far too pliable to be metallic. < "I have left these memories for my wife."> Maybe it's a recording? Is this the Kryptonian version of a home movie? But how do I play it? I set the film back into the box and press on the symbols at random. Nothing happens. Gosh thanks, Lucas. You should have left the VCR, too. And then I realize that maybe I do have one. Not here, but at home. Could the globe play the message? All those messages that Jor-El left me, what if those were recorded on something similar? I close the box and fly out the window towards home. A few minutes later I settle into my old treehouse. The globe glows at my touch as if in greeting. I open the box and pull the film out. How do I make it play? There are no obvious openings on the globe. Then again, there aren't any obvious openings on the box and yet it opens. I'm touching the film to the globe at random when the globe starts to hum and alters to show its map of Krypton. The film is sucked into the globe with a soft "pfffft" sound. I wait but nothing happens. The globe goes dark again. I close my eyes in frustration. Maybe it needs to process the film first? Or maybe it's really old? What if the globe isn't compatible with whatever Lucas used to record it? What do I do now? I wait a few more minutes, but it looks like the show is over for the night. I leave Lucas' box in the treehouse and take the globe with me back to Doc's house. <><><> The next morning I come out of my room at the same time as Lois. She doesn't look over at me as she hurries to get down the stairs before I can say anything. "Good morning, Lois!" I lean over the rail to watch her descending the stairs. "Good morning," she says breathlessly and then disappears around the corner into the kitchen. I grin. She's embarrassed about last night. As I come into the kitchen Lois leaves through the back door, moving down the path towards the dig site at almost a jog. Is she going to avoid me all day? Josh and Emily look at me curiously. "Lois not talking to you?" Josh asks. I shrug and pour myself a bowl of cereal. "Good morning, children!" Marty says as he comes in back door. "How are we all this fine morning?" Emily lets out a disgusted sigh. Josh smiles at Marty. "There must be a re-enactment in your future. Which one is it?" "The Battle of Lewis Ridge!" "That's not until tomorrow," Emily grouses. "True, but I'm leaving this morning to drive out there. I will have to live without the pleasure of your company for the next few days." "And yet, somehow, I think we'll survive," Emily mutters. "Ah, sweet Emily, I'll miss you most of all." He sits down next to her and bats his eyes at her. "Promise me you won't find anything significant until I get back." "Just go play dead already, will you?" Her voice is gruff but she's fighting a smile. Marty stands up and salutes us all. Josh returns the salute and Marty practically skips out of the kitchen. Josh shakes his head in amusement. "He's always so giddy when he leaves for a re-enactment." "And such an idiot when he returns," Emily finishes. By the time the three of us finish breakfast and walk down to the dig site, Lois and Doc have laid down boards to cover the vestiges of mud still left. Lois has settled in and is gamely trowling dirt into a bucket. I smile at her and she blushes, looking away quickly. Emily takes Doc's place in the trench and he goes into the tent to make entries in the log. Josh and I work at removing the debris from the cabin. After a couple of hours we've cleared everything away but the center roof beam. Josh looks at the heavy wooden beam and then at me. "You're a walking miracle," he tells me. "Doc!" Emily yells suddenly. "Doc, come look! I think we found him!" Doc moves into the trench, shooing Lois and Emily back. Josh and I kneel on the edge and watch from above. Doc takes a paintbrush and softly cleans the area Emily was working. It looks like a light brown stone to me. Doc teases a little more soil away. Emily twists her hands in excitement. "Is it him?" "Get the camera," Doc tells her. Emily runs to the tent, grabs the camera and comes back into the trench. Doc leans back and she takes a picture. Doc asks for a small trowel and he scrapes away more dirt, revealing more and more of the stone. There seems to be a large hole in the stone and I realize with a jolt that it's the eye socket of a skull. "Hello, Lu-Kess," I whisper. <><><> Emily tells us that's it's going to be an all-day project just to expose the skull. For once I understand perfectly Lois' lack of patience. I'm torn between watching Doc slowly reveal Lucas and the urge to go check the globe and see if it's ready to show me anything. I tell Josh that I'm going for a walk. He waves me away distractedly, intent on watching Doc. I go back to my room and get the globe. It doesn't hum or light up but I have a rising sense of anticipation. Even though the day is warm, I put on my jacket so that I can hide the globe in the pocket. I walk in the opposite direction of the dig, following the road down the hill to the bridge before ducking into the trees. I sit for a few seconds, concentrating on my surroundings. No one seems to be nearby. I pull the globe from my pocket and wait. After half a minute it hums and changes to show me Krypton. Then I see Lucas, running down a darkened hallway. "I was set up by the House of Zod," he intones. I cannot stay and be imprisoned for a crime I did not commit." The view changes as Lucas enters a large room. He runs along a row of spacecraft before hurriedly climbing into one near the end. "I have looked through the data compiled by our exploratory probes. It is a fair distance but I believe it is possible. All the research I have done into deep space exploration will now be tested to its limits. I set the coordinates and bid farewell to my home." The craft leaves the hanger and, second later, I see Krypton growing smaller over Lucas' shoulder as he watches out a window. "There was a part of me that hoped I would never awaken from the necessary suspension. That I might float forever unaware of what I have given up. But I have beaten the odds and arrived safely on the planet called Earth." I see the image of the craft approaching Earth and then streaking across the sky before landing in the same meadow where Lucas built his cabin. "Its atmosphere is similar to Krypton and its people are like ours. The radiation from its sun is different and I have found myself far more powerful here than I ever was on Krypton. They say our sun will someday destroy Krypton. I pray my family may find a way to avoid that fate. When they realize I am gone, surely they may try and join me?" The view of the meadow remains but the cabin has appeared, new and sturdy. I see Lucas walking down towards the lake on the same path that now leads to the pier. "Years have passed and I am accepted as one of them. But I am not, a distinction that I try to remember. Only one here has touched my heart. The son of my neighbor; young Seth. He reminds me of our son. What have you become, Kal-Kess? Do you look with shame upon your father? Or has my innocence been discovered in the intervening years?" I see Lucas sinking his spacecraft in the center of the lake. "I only know I must not return. I am here now. This must be my home. What becomes of me no longer matters. My only regret is that no honors or tributes will be given upon my death. I will have remained a stranger. Only Seth will grieve my passing. There will be no one to tend my grave." I feel ashamed of my own interest in disturbing his grave. Lucas' gray eyes go soft and his shoulders sag just a little. "My days are spent in the remembrance of you, dearest Kacie. I remember your hesitation in believing me to be your true mate; how I had to woo you so carefully. I knew from the first our connection was real. I feel it still, a small invisible thread that binds me to you. My only comfort is that you may feel it, too. Know that I did this for you and for our son. Know that I still live. I live for you." That's it, I realize, that's what he was thinking about in his picture. His eyes have the same haunted expression. He was thinking of Kacie. The globe fades and Lucas disappears. I close my eyes for a moment, overcome with emotion for this man. Was he ever proven innocent? Did Kacie really know what became of him or did she believe he simply vanished? I tuck the globe into my jacket pocket and return to the road. The truck appears over the rise, its speed increasing as it comes down the hill. Why is Lois driving the truck? And why would she be so foolish as to try and take the corner before the bridge like Emily did? I hear a stomping noise and realize that she is trying to slow the truck down but the brakes are gone. I look around and realize I only have a few seconds before she reaches the bridge. There's no way I could run and change. It would be far too suspicious that Superman was all the way out here - again. I stand in the road and wave at her to steer towards the trees. "Clark! Move! I don't have brakes!" She leans on the horn as she hurtles towards me. But my gambit works, she steers to the left to avoid me. As the truck is about to hit the trees I move, letting the truck's right bumper strike me first to absorb the majority of the impact so that when it hits the trees it's going much slower. As soon as it stops I throw myself to the side, coming to rest on the dusty road. "Clark!" The truck's door flies open and Lois jumps out, stumbling on the uneven ground as she races toward me. I sit up and pretend to wince. "Clark, are you okay?" "Yeah, I think so," I reassure her. "I think I just got the wind knocked out of me." "What did you think you were doing, jumping in front of the truck like that?" She looks both angry and tearful. "I wasn't in front of the truck. I was running over to help you and it just kind of glanced past me." "Help me? Help me how? What were you going to do? Throw yourself in front of the truck to stop it?" "No, I just wanted to be there after you hit the trees, in case you needed help." "You're lucky you're still alive." She looks over at the truck and I follow her gaze. There's a huge dent on the right side of the grill - exactly where the truck hit me. All I can do is hope she doesn't think too hard about it. Or maybe I'm hoping she *will* think too hard about it. "Stay here," she tells me. "I'm going to go get help." "No, Lois, I think I'm okay. I can walk." I prove it by standing up. Lois moves close to my side, putting both her arms around my waist to support me. Any protest I was about to make is lost at the sensation of her arms around me. "Just take it slow," she cautions me. "I'm fine, really." "And I'm serious. I can't believe that didn't kill you." In the end I give in and allow her to 'walk' me back to the house. There are far worse ways to spend the afternoon. <><><> Lois insists that I sit down at the kitchen table once we reach the house. No amount of protesting will convince her that I'm fine. I sit and she leaves to go down to the dig site. As soon as she crosses the bridge I rush upstairs and tuck the globe back into its hiding place. I'm sitting at the table when Lois returns with Emily. "Lois said you had an accident?" Emily looks to me for confirmation. "Actually, Lois had the accident. I just got a little bump as the truck went past me." Emily looks at both of us as if she's trying to decide why we're making up this story. "Lois said the truck hit you?" "How could I have walked back to the house if the truck hit me? You hit the trees, Lois, not me." Emily looks at Lois. Lois frowns. "I'm telling you, I hit him with the truck." "Were you aiming for him?" Emily asks with a smile. I laugh. Lois doesn't. "No, of course not," Lois tells her icily. I laugh again and she glares at me. "I wasn't!" "How are things going down at the dig site?" I ask, trying to change the subject. "We almost have the entire skull exposed," Emily says. "I think it will be a couple of days, but we should be able to recover the entire skeleton." "Is there anything we can do to help?" I ask. "Yeah, if you're up to it. We're going to dig down at the end of the trench. We'll go faster since we'll just save each bucket and process it later. Lois, is the truck totaled or can you still go into town to get more buckets?" Lois shakes her head. "I think the brakes went out. I was stomping on them but it didn't make any difference." Emily nods glumly. "Okay, we'll have Josh look at the truck. He's our mechanic. We'll just make do with the buckets we all ready have." <><><> By dusk we've managed to remove just over two feet of topsoil from Lucas' grave. Doc calls a stop to our excavation since we're quickly losing the light. I'm walking behind Lois as we head back to the house. She slows down as we come close to the bridge. Then she bends down to play with her shoelace. As I go to pass her she touches my leg to stop me. "Clark, wait," she says in a low tone. "What is it?" "I was talking to Emily. She went with Josh to bring the truck back up the hill. Someone cut the brake line. It wasn't an accident." I had all ready guessed as much. "That's two accidents in as many days," I muse. "Kinda makes you want to not get out of bed tomorrow, doesn't it?" "Are you kidding? Do you realize that we're uncovering definitive proof that Superman isn't the only alien to come here?" She straightens back up and gives me an incredulous look. "Another visitor from a strange planet?" "Sure, make jokes. I'm serious. You can stay in bed all day if you want, but I'll be helping out here." She swats at an insect in irritation. "Lois, I'm not making jokes. I'm taking your safety very seriously here." "My safety? You're the one who was nearly killed twice. Isn't there something wrong with this picture? If I'm the target, why are you the one in constant danger?" "I told you I wouldn't let anyone hurt you." I know I'm needling her, but it seems worth the trouble. "I'm serious, Clark. There's something wrong about this whole setup." "You've just now reached that conclusion? There was nothing wrong with someone stalking you all the way here? You were the one driving the truck when it crashed." "You know what it is? It's too random. There was no way to be sure that you would go in the cabin yesterday or that I would be driving the truck today." "So you're saying someone here is setting traps without regard for who gets caught in them?" "Not someone - Josh. The brake line was cut. Emily said Josh is their mechanic out here. And I did see him push on the wall when you were inside the cabin." "But why?" "Have you given any thought to the idea that he has it in for you?" "No," I tell her emphatically, taking her elbow to urge her back to the house. "Josh doesn't have it in for me. We're friends, Lois. Friends don't try to kill each other." "Don't be so sure. We're friends and I frequently want to kill you." "Is that all?" I ask before I can think better of it. "Is that all, what?" "Is that all you want to do to me? Kill me?" It's a gamble, but maybe it will pay off. "Are you suggesting I want to do something to else to you?" She stops walking, her hands on her hips. My lips twitch as I fight a smile. "You tell me." "Is this about last night? It is, isn't it? See, this is why I backed off. It's a bad idea." "What's a bad idea?" "You and me, working together and... being together. It won't end well." I want to tease her about how she could possibly know that for certain without trying. I stop myself because levity is only going to push her away. "Lois," I tilt her chin up to look at me. "Why does it have to end? If it's something we both want, then it can work. I want this to work. Do you?" Her eyes search mine for a long moment. I don't look away, hoping she will realize just how much this means to me. "Take me swimming again tonight, Clark," she whispers. <><><> Tonight we don't dive in from the pier. My heart is beating fast as I wonder if she feels the same undercurrent to every movement made as I do. My senses feel heightened, keying in on the whisper of her clothes as she removes them and the little gasp she makes when she first enters the water. We wade in, side by side. We're deep enough that Lois has started to swim and I'm about to when her hand reaches out to touch my arm. "Clark?" Her fingers close over my wrist and I pull my arm in so that she glides nearer to me. "Yes?" "Do you think you'll kiss me tonight?" "I'd say your chances are pretty good, why?" I move us a few steps closer to shore so that she can touch the bottom. "Because..." She draws even closer, putting her arms around my neck. "I really want you to." "You could kiss me; I wouldn't be offended." "It's not that." I can hear the smile in her voice. "I just don't want you to think I'm being forward." "You? Forward? You're the shyest person I know." She slaps my shoulder. "Watch it, Kent." "Ow!" I decide to tease her. "Be careful wit